"I think to be driven to want to kill must be such a terrible burden"
About this Quote
Rendell doesn’t glamorize murder; she anatomizes the moment before it happens, when violence is less a choice than a pressure problem. “Driven” is the hinge word: it suggests propulsion, not impulse, as if the self is being shoved from behind by forces it can name only after the damage is done. In crime fiction, killers are often rendered as monsters or masterminds. Rendell’s line refuses both comforts. It frames the desire to kill as a “burden,” a weight carried, endured, and hidden - and in doing so, it shifts our gaze from the act to the internal weather that makes the act feel inevitable.
The subtext is not exoneration so much as a moral dare: if wanting to kill is already a kind of suffering, then the neat boundary between victim and perpetrator starts to blur in unsettling ways. Rendell, who consistently wrote about the violence simmering in ordinary lives, is pointing to a social reality her genre can’t avoid: desperation, humiliation, resentment, and obsession don’t announce themselves with villain music. They accumulate. People can be pushed into corners where agency narrows and fantasies of annihilation begin to masquerade as relief.
That’s why the sentence lands with such quiet force. It’s compassionate without being sentimental, clinical without being cold. Rendell’s intent is to make the reader sit with the uncomfortable thought that the true horror may begin long before any body drops: in the private, unbearable work of containing a wish you know you must not have.
The subtext is not exoneration so much as a moral dare: if wanting to kill is already a kind of suffering, then the neat boundary between victim and perpetrator starts to blur in unsettling ways. Rendell, who consistently wrote about the violence simmering in ordinary lives, is pointing to a social reality her genre can’t avoid: desperation, humiliation, resentment, and obsession don’t announce themselves with villain music. They accumulate. People can be pushed into corners where agency narrows and fantasies of annihilation begin to masquerade as relief.
That’s why the sentence lands with such quiet force. It’s compassionate without being sentimental, clinical without being cold. Rendell’s intent is to make the reader sit with the uncomfortable thought that the true horror may begin long before any body drops: in the private, unbearable work of containing a wish you know you must not have.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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