"I think we're in good hands. There's definitely much more momentum in bringing in good things to help support the show. Everyone's got a good attitude about it and I think that makes all the difference"
About this Quote
Optimism, here, is doing managerial labor. Crystal Chappell isnt delivering a poets manifesto; shes giving the kind of calm, forward-facing reassurance that keeps a fragile TV ecosystem from spiraling. The repeated softeners - "I think", "definitely", "much more" - create a careful confidence: strong enough to steady anxious fans and colleagues, cautious enough to avoid promising outcomes she cant control. Its hope with plausible deniability.
The key word is "momentum". In entertainment, momentum is code for leverage: rising attention, better backing, a sense that the project has moved from survival mode to growth mode. "Bringing in good things" stays deliberately vague, which is exactly the point. She gestures toward upgrades - funding, story talent, network support, publicity, maybe new partners - without naming any moving parts that could change tomorrow. That vagueness keeps the statement future-proof while still feeding the audience what it wants: signs of renewal.
"Good hands" and "good attitude" shift credit away from any single hero and toward a collective, competent team. Thats not just politeness; its a signal to investors and viewers that the show is stable, collaborative, and worth betting on. The subtext is crisis-management without admitting a crisis: something has needed support, and she is selling the idea that the support is arriving - and that morale, as much as money, is the secret ingredient.
The key word is "momentum". In entertainment, momentum is code for leverage: rising attention, better backing, a sense that the project has moved from survival mode to growth mode. "Bringing in good things" stays deliberately vague, which is exactly the point. She gestures toward upgrades - funding, story talent, network support, publicity, maybe new partners - without naming any moving parts that could change tomorrow. That vagueness keeps the statement future-proof while still feeding the audience what it wants: signs of renewal.
"Good hands" and "good attitude" shift credit away from any single hero and toward a collective, competent team. Thats not just politeness; its a signal to investors and viewers that the show is stable, collaborative, and worth betting on. The subtext is crisis-management without admitting a crisis: something has needed support, and she is selling the idea that the support is arriving - and that morale, as much as money, is the secret ingredient.
Quote Details
| Topic | Team Building |
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