"I think we're lucky because there are very few people in life who get to do what we're doing"
About this Quote
Luck is the cleanest way to talk about privilege without sounding like you’re bragging. Tony Scott’s line does that tightrope walk: it’s gratitude with a professional edge, a director’s way of acknowledging the absurd improbability of getting paid to orchestrate spectacle, emotion, and logistics at industrial scale. The phrasing is casual - “I think,” “we’re” - but it’s doing serious work, spreading the credit across a crew and softening the ego that the job inevitably demands.
The intent reads as morale-building and worldview-setting. On a film set, especially the kind Scott ran (big budgets, high pressure, high velocity), you need a shared story that turns exhaustion into purpose. “Very few people” frames the work as rare air, not in a snobbish way but in a we’re-not-wasting-this way. It’s a subtle antidote to entitlement: if it’s luck, it can disappear; if it’s destiny, you can start acting like you’re owed it.
The subtext is also about risk. Directing isn’t just “doing what you love”; it’s a career built on precarious greenlights, shifting tastes, and brutal competition. Calling it luck nods to the invisible infrastructure behind a “vision”: financing, timing, relationships, health, the right actor saying yes.
Contextually, it fits a late-20th-century film culture where auteurs were mythologized, but the industry was tightening. Scott’s sentence punctures the myth without killing the romance: the work matters, and so does the fact that getting to do it is never guaranteed.
The intent reads as morale-building and worldview-setting. On a film set, especially the kind Scott ran (big budgets, high pressure, high velocity), you need a shared story that turns exhaustion into purpose. “Very few people” frames the work as rare air, not in a snobbish way but in a we’re-not-wasting-this way. It’s a subtle antidote to entitlement: if it’s luck, it can disappear; if it’s destiny, you can start acting like you’re owed it.
The subtext is also about risk. Directing isn’t just “doing what you love”; it’s a career built on precarious greenlights, shifting tastes, and brutal competition. Calling it luck nods to the invisible infrastructure behind a “vision”: financing, timing, relationships, health, the right actor saying yes.
Contextually, it fits a late-20th-century film culture where auteurs were mythologized, but the industry was tightening. Scott’s sentence punctures the myth without killing the romance: the work matters, and so does the fact that getting to do it is never guaranteed.
Quote Details
| Topic | Gratitude |
|---|---|
| Source | Help us find the source |
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