"I think we've established a convention on the show that allows us to do pretty much anything we want to"
About this Quote
Thayer David’s line is the kind of backstage candor that accidentally becomes a manifesto. “We’ve established a convention” sounds almost bureaucratic, but that’s the trick: he’s describing creative license as if it were a rulebook. The phrase smuggles in a power move. Once a show trains its audience in a certain grammar of tone, reality, and expectation, “pretty much anything” stops being a threat and starts being a promise.
David, an actor known for his resonant, authoritative presence, is also tipping his hand about performance itself. TV and serialized storytelling aren’t just about plot; they’re about agreements. Viewers consent to a world where a sudden tonal swerve, a heightened villain, a surreal detour, or a self-aware wink can feel “right” because the series has already taught them how to watch it. The subtext is pragmatic: freedom isn’t anarchy, it’s earned. You buy it by being consistent enough that inconsistency reads as intention.
There’s a sly confidence in “allows us.” It frames the audience not as judges but as collaborators who have already signed off. That’s why the sentence lands: it acknowledges constraint while celebrating the loophole. In the era of network television, where standards, sponsors, and schedules were ever-present, claiming the ability to do “anything we want” isn’t just bravado. It’s the performer’s quiet victory lap over the limits of the medium.
David, an actor known for his resonant, authoritative presence, is also tipping his hand about performance itself. TV and serialized storytelling aren’t just about plot; they’re about agreements. Viewers consent to a world where a sudden tonal swerve, a heightened villain, a surreal detour, or a self-aware wink can feel “right” because the series has already taught them how to watch it. The subtext is pragmatic: freedom isn’t anarchy, it’s earned. You buy it by being consistent enough that inconsistency reads as intention.
There’s a sly confidence in “allows us.” It frames the audience not as judges but as collaborators who have already signed off. That’s why the sentence lands: it acknowledges constraint while celebrating the loophole. In the era of network television, where standards, sponsors, and schedules were ever-present, claiming the ability to do “anything we want” isn’t just bravado. It’s the performer’s quiet victory lap over the limits of the medium.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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