"I think with every writer there are two people there"
About this Quote
Every writer is a split-screen: the person who lives and the person who turns living into material. Hugh Leonard’s line lands because it’s both a confession and a craft note, the kind a dramatist would make after watching an audience laugh at pain they didn’t know they were being handed.
Leonard is pointing to the doubleness built into writing itself. One “person” is the ordinary self, moving through friendships, humiliations, family history, the small daily negotiations of being liked. The other is the internal editor-thief who never quite shows up to events as a guest. That second self is always clocking cadence, saving a gesture, filing away a betrayal, mentally rewriting the room. It’s not just observation; it’s predation with a purpose. For a playwright, especially, human interaction is inventory.
The subtext is ethically prickly: intimacy is compromised the moment it becomes usable. Leonard’s own career, rooted in Irish social life and its sharp conversational theater, makes the line feel less like a romantic myth of inspiration and more like a cool admission of tradecraft. Writing thrives on distance, even when it feeds on closeness. The “two people” also hints at performance: the public self and the private self, the mask and the motive. Dramatists live in that gap, constructing characters out of the friction between what people say and what they can’t admit.
It works as a compact warning and a permission slip. If you feel divided, good. That division is the job.
Leonard is pointing to the doubleness built into writing itself. One “person” is the ordinary self, moving through friendships, humiliations, family history, the small daily negotiations of being liked. The other is the internal editor-thief who never quite shows up to events as a guest. That second self is always clocking cadence, saving a gesture, filing away a betrayal, mentally rewriting the room. It’s not just observation; it’s predation with a purpose. For a playwright, especially, human interaction is inventory.
The subtext is ethically prickly: intimacy is compromised the moment it becomes usable. Leonard’s own career, rooted in Irish social life and its sharp conversational theater, makes the line feel less like a romantic myth of inspiration and more like a cool admission of tradecraft. Writing thrives on distance, even when it feeds on closeness. The “two people” also hints at performance: the public self and the private self, the mask and the motive. Dramatists live in that gap, constructing characters out of the friction between what people say and what they can’t admit.
It works as a compact warning and a permission slip. If you feel divided, good. That division is the job.
Quote Details
| Topic | Writing |
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