"I thought I had swell ideas, and wonderful musicians, but the hell of it, no one else did"
About this Quote
The subtext is the bruised optimism of a working bandleader in the pre-swing-breakthrough years, grinding through ballrooms and radio slots, learning that great players and clean arrangements don't automatically translate into demand. In big-band America, approval wasn't abstract; it was dance floors filling or emptying, bookings coming or not, labels betting or passing. Miller's phrasing captures that harsh feedback loop without turning bitter. He doesn't blame the public for being stupid, or himself for being delusional. He just names the gap between inner certainty and outer validation.
Culturally, it's a remarkably modern sentiment. Creative work now lives under constant metrics - streams, likes, ticket scans - but Miller was already living the prototype: an artist forced to treat collective taste as both judge and collaborator. The line also foreshadows his eventual triumph; only someone who believes in the work keeps swinging after a room tells him it doesn't matter.
Quote Details
| Topic | Failure |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Miller, Glenn. (2026, January 16). I thought I had swell ideas, and wonderful musicians, but the hell of it, no one else did. FixQuotes. https://fixquotes.com/quotes/i-thought-i-had-swell-ideas-and-wonderful-117495/
Chicago Style
Miller, Glenn. "I thought I had swell ideas, and wonderful musicians, but the hell of it, no one else did." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/i-thought-i-had-swell-ideas-and-wonderful-117495/.
MLA Style (9th ed.)
"I thought I had swell ideas, and wonderful musicians, but the hell of it, no one else did." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/i-thought-i-had-swell-ideas-and-wonderful-117495/. Accessed 10 Feb. 2026.