"I thought I'd definitely be a writer, whatever I did"
About this Quote
The swagger in Keneally's line is its quiet refusal to treat writing as a job title. "Definitely" reads like youthful certainty, but the real move is in the clause that follows: "whatever I did". He frames authorship less as a career ladder than as a condition of being. That phrasing smuggles in a whole philosophy of work: you can wear many uniforms, but the self doing the wearing is already a writer.
It also betrays a pragmatic awareness of how writing actually happens. Most writers don't begin with a clean runway; they begin with detours, bills, and other people's expectations. Keneally is winking at the gap between ambition and livelihood without romanticizing the struggle. The subtext is: I might have had to do something else to survive, but the writing would have been the through-line, the private continuity that makes the rest feel like plot rather than distraction.
Context matters. Keneally comes from a mid-century Australian milieu where "writer" wasn't an obvious or stable social role, and his own early life included paths that weren't strictly literary. The sentence compresses that history into a single, deceptively casual declaration: a life can look accidental from the outside while feeling inevitable from the inside.
The intent is self-definition, not self-mythology. It's an argument for writing as an identity practiced under any circumstances: in spare hours, in other professions, in the margins. Keneally makes the writer's claim sound simple because he knows it's durable only when it survives complexity.
It also betrays a pragmatic awareness of how writing actually happens. Most writers don't begin with a clean runway; they begin with detours, bills, and other people's expectations. Keneally is winking at the gap between ambition and livelihood without romanticizing the struggle. The subtext is: I might have had to do something else to survive, but the writing would have been the through-line, the private continuity that makes the rest feel like plot rather than distraction.
Context matters. Keneally comes from a mid-century Australian milieu where "writer" wasn't an obvious or stable social role, and his own early life included paths that weren't strictly literary. The sentence compresses that history into a single, deceptively casual declaration: a life can look accidental from the outside while feeling inevitable from the inside.
The intent is self-definition, not self-mythology. It's an argument for writing as an identity practiced under any circumstances: in spare hours, in other professions, in the margins. Keneally makes the writer's claim sound simple because he knows it's durable only when it survives complexity.
Quote Details
| Topic | Writing |
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