"I thought it was very important that femininity wasn't lost"
About this Quote
In a culture that loves to mistake “strong” for “hard,” Donna Mills’ line reads like a quiet refusal to accept a false trade-off. “I thought it was very important” signals intent and authorship: not an accident of styling, not a studio mandate she’s passively wearing, but a choice she’s defending. The phrase “femininity wasn’t lost” carries the subtext of a constant risk - that competence, ambition, age, or authority will be read as incompatible with softness, glamour, or sexual agency.
Coming from an actress whose career moved through eras that treated women as types - ingénue, vamp, “lady,” “bitch” - the quote feels like a negotiation with the camera’s categories. Mills isn’t necessarily arguing that femininity is natural or required; she’s arguing that it’s allowed. That’s the cultural pressure point: women in public life are often offered two costumes, either “pretty” and unserious or “serious” and unfeminine. Her wording rejects the frame itself, insisting you can keep the aesthetic language of femininity without surrendering power or credibility.
Context matters, too: for actresses, femininity is both currency and trap. To “not lose” it can mean preserving autonomy over image in an industry eager to age women out, desexualize them, or punish them for leaning into glamour. Mills’ sentence is small, but it’s doing boundary work - protecting a version of womanhood that doesn’t apologize for polish, and doesn’t accept that femininity must be the first thing sacrificed on the altar of respect.
Coming from an actress whose career moved through eras that treated women as types - ingénue, vamp, “lady,” “bitch” - the quote feels like a negotiation with the camera’s categories. Mills isn’t necessarily arguing that femininity is natural or required; she’s arguing that it’s allowed. That’s the cultural pressure point: women in public life are often offered two costumes, either “pretty” and unserious or “serious” and unfeminine. Her wording rejects the frame itself, insisting you can keep the aesthetic language of femininity without surrendering power or credibility.
Context matters, too: for actresses, femininity is both currency and trap. To “not lose” it can mean preserving autonomy over image in an industry eager to age women out, desexualize them, or punish them for leaning into glamour. Mills’ sentence is small, but it’s doing boundary work - protecting a version of womanhood that doesn’t apologize for polish, and doesn’t accept that femininity must be the first thing sacrificed on the altar of respect.
Quote Details
| Topic | Self-Love |
|---|
More Quotes by Donna
Add to List




