"I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera"
About this Quote
The deflation is the point: Hench walks into Hollywood imagining it as a shortcut to mastery, then punctures his own ambition with a dry report from the shop floor. “I thought that it would be easier to learn that” carries the classic artist’s temptation to find a machine for insight - to trade the slow grind of seeing for a faster, shinier education. Motion pictures, especially at the dawn of reliable color, promised exactly that: industrialized vision.
Then comes the quiet punchline. He joins a producer “developing a color system” - the kind of cutting-edge assignment that sounds like proximity to genius. Instead, he’s reduced to “pick[ing] filters for the camera,” a task that is both literal and metaphorical: not creating color, but managing it; not expanding perception, but controlling the conditions under which perception happens. The phrase “This didn’t do to me much good” is almost comically plain, a refusal to romanticize the labor. It’s also a sly critique of how creative industries partition artistry into technical micro-decisions and call it innovation.
The context matters: Hench later becomes synonymous with Disney, a place where art and engineering are welded together. This anecdote reads like an early lesson in that marriage. The subtext isn’t that film work is worthless; it’s that toolmaking can masquerade as artistic growth. Learning to see doesn’t arrive through proximity to technology, but through intention - and, often, through the frustration of discovering you’ve been hired to adjust the world’s tint rather than paint it.
Then comes the quiet punchline. He joins a producer “developing a color system” - the kind of cutting-edge assignment that sounds like proximity to genius. Instead, he’s reduced to “pick[ing] filters for the camera,” a task that is both literal and metaphorical: not creating color, but managing it; not expanding perception, but controlling the conditions under which perception happens. The phrase “This didn’t do to me much good” is almost comically plain, a refusal to romanticize the labor. It’s also a sly critique of how creative industries partition artistry into technical micro-decisions and call it innovation.
The context matters: Hench later becomes synonymous with Disney, a place where art and engineering are welded together. This anecdote reads like an early lesson in that marriage. The subtext isn’t that film work is worthless; it’s that toolmaking can masquerade as artistic growth. Learning to see doesn’t arrive through proximity to technology, but through intention - and, often, through the frustration of discovering you’ve been hired to adjust the world’s tint rather than paint it.
Quote Details
| Topic | Movie |
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