"I thought they'd get one of us, but Jack, after all he's been through, never worried about it I thought it would be me"
About this Quote
Guilt and prophecy sit in the same breath here. Robert Kennedy isn’t describing fear in the abstract; he’s confessing to a private arithmetic of violence that had become routine for his family. The line turns on the cruel asymmetry between “I thought” and “never worried.” RFK casts his brother Jack as the veteran of catastrophe - war hero, political lightning rod, target - yet emotionally insulated. That calm isn’t naivete; it reads like fatalism, a practiced steadiness in a life where history keeps placing a crosshair on your name.
The subtext is thornier: Robert’s “I thought it would be me” isn’t only about personal vulnerability. It’s an admission of a role he felt he was playing in the Kennedy mythos, the younger brother who absorbed risk on behalf of the older one, the operative who did the hard, dirty, dangerous work. When he says “after all he’s been through,” the phrase carries both admiration and a quiet indictment of the era’s political culture, where leadership came with an unspoken casualty count.
Context matters. The Kennedys moved through a 1960s America where assassination wasn’t an unthinkable rupture; it was becoming a grim genre. This sentence works because it refuses ornament. It’s clipped, almost dazed, like someone narrating shock after the fact. In that plainness you hear the real horror: not just the possibility of death, but the normalization of it - the sense that the country had started assigning destinies with bullets.
The subtext is thornier: Robert’s “I thought it would be me” isn’t only about personal vulnerability. It’s an admission of a role he felt he was playing in the Kennedy mythos, the younger brother who absorbed risk on behalf of the older one, the operative who did the hard, dirty, dangerous work. When he says “after all he’s been through,” the phrase carries both admiration and a quiet indictment of the era’s political culture, where leadership came with an unspoken casualty count.
Context matters. The Kennedys moved through a 1960s America where assassination wasn’t an unthinkable rupture; it was becoming a grim genre. This sentence works because it refuses ornament. It’s clipped, almost dazed, like someone narrating shock after the fact. In that plainness you hear the real horror: not just the possibility of death, but the normalization of it - the sense that the country had started assigning destinies with bullets.
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
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