"I took drugs because we all took drugs"
About this Quote
There is a grim honesty in the way Marianne Faithfull strips the story down to peer pressure without pleading innocence. “I took drugs because we all took drugs” refuses the neat arc people want from celebrity confessionals: the lone genius falling, the tragic outlier, the scandal with a moral. Faithfull instead points to a scene, a social weather system. The line is almost aggressively unpoetic, and that’s the point. It makes drug use sound banal, procedural, like putting on the uniform.
As a musician who moved through the 1960s London rock ecosystem, Faithfull is talking about a culture where excess wasn’t just tolerated; it was a kind of membership card. The subtext isn’t “I had no choice,” but “the choice was already made by the room.” That’s a sharper indictment than melodrama. It exposes how communities normalize self-destruction by calling it freedom, experimentation, even authenticity.
The sentence also undercuts the myth of the exceptional star. Faithfull doesn’t elevate herself above the herd or fetishize her damage; she flattens the narrative. That flattening is its own rebellion against an industry and a media machine that profits from turning addiction into legend. In eight words, she drags the conversation back from glamour to sociology: not a personal quirk, a shared habit; not a romance with danger, a routine. The chilling part is how ordinary it sounds, and how much that ordinariness explains.
As a musician who moved through the 1960s London rock ecosystem, Faithfull is talking about a culture where excess wasn’t just tolerated; it was a kind of membership card. The subtext isn’t “I had no choice,” but “the choice was already made by the room.” That’s a sharper indictment than melodrama. It exposes how communities normalize self-destruction by calling it freedom, experimentation, even authenticity.
The sentence also undercuts the myth of the exceptional star. Faithfull doesn’t elevate herself above the herd or fetishize her damage; she flattens the narrative. That flattening is its own rebellion against an industry and a media machine that profits from turning addiction into legend. In eight words, she drags the conversation back from glamour to sociology: not a personal quirk, a shared habit; not a romance with danger, a routine. The chilling part is how ordinary it sounds, and how much that ordinariness explains.
Quote Details
| Topic | Life |
|---|---|
| Source | Help us find the source |
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