"I trained and trained and went up against Kurt, then being a world champion in '94, and after that I did Tommy's tour and then my tour and all this stuff and just trying to deal with it all. And now, I've just kind of backed off a little"
About this Quote
The most revealing part isn’t the résumé of competitions and tours; it’s the breathless piling-on of “and…and…and,” the way a champion’s timeline turns into a single long exhale. Stojko isn’t trying to sound poetic here. He’s giving you the cadence of someone who spent years living in a tightly scheduled blur, where training, rivalry, victory, and performance work collapse into one continuous obligation.
Context matters: mid-90s men’s figure skating was unusually mainstream, with TV audiences large enough to make athletes into recognizable public figures. Saying he “went up against Kurt” (Browning, the era-defining Canadian star) frames Stojko’s rise as both national succession and personal pressure. He names the world title like a fact on a ledger, then immediately shifts to tours: the professional circuit where medals turn into mileage, and where your body becomes the product. “Tommy’s tour and then my tour” signals escalation: not just skating for someone else’s brand, but carrying your own.
The subtext is burnout without melodrama. “Trying to deal with it all” is deliberately vague, an athlete’s habit of keeping the mess off-camera: injuries, expectations, the post-win comedown, the weird loneliness of being constantly seen. The final line - “I’ve just kind of backed off a little” - is understated to the point of defensive. In sports culture, especially in an aesthetic, masculinity-policed arena like skating, stepping back can sound like weakness unless you minimize it.
It works because it captures a familiar modern arc: achievement as acceleration, then survival as deceleration. The champion’s victory lap is still a treadmill.
Context matters: mid-90s men’s figure skating was unusually mainstream, with TV audiences large enough to make athletes into recognizable public figures. Saying he “went up against Kurt” (Browning, the era-defining Canadian star) frames Stojko’s rise as both national succession and personal pressure. He names the world title like a fact on a ledger, then immediately shifts to tours: the professional circuit where medals turn into mileage, and where your body becomes the product. “Tommy’s tour and then my tour” signals escalation: not just skating for someone else’s brand, but carrying your own.
The subtext is burnout without melodrama. “Trying to deal with it all” is deliberately vague, an athlete’s habit of keeping the mess off-camera: injuries, expectations, the post-win comedown, the weird loneliness of being constantly seen. The final line - “I’ve just kind of backed off a little” - is understated to the point of defensive. In sports culture, especially in an aesthetic, masculinity-policed arena like skating, stepping back can sound like weakness unless you minimize it.
It works because it captures a familiar modern arc: achievement as acceleration, then survival as deceleration. The champion’s victory lap is still a treadmill.
Quote Details
| Topic | Training & Practice |
|---|---|
| Source | Help us find the source |
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