"I try to do something the audience might not have seen before. Like if I'm gonna kiss a girl I wanna kiss her like a girl has never been kissed. Like maybe I would kick her legs out from under her and catch her right before she hits the ground and then kiss her"
About this Quote
Carrey’s fantasy of a kiss isn’t romance so much as choreography: a stunt pitched as intimacy. The setup is pure performer logic: the audience has to see something “they might not have seen before,” even when the act in question is supposedly private, mutual, and unscored. He frames desire through novelty, not connection, which tells you a lot about the engine of his comedy persona: escalation as proof of sincerity.
The line is funny because it’s both earnest and absurdly invasive. “Kiss her like a girl has never been kissed” reaches for poetic uniqueness, then immediately swerves into slapstick peril - kicking her legs out, catching her mid-fall. It’s the physical-comedy version of an emotional promise: I’ll surprise you, I’ll be different, I’ll earn a reaction. Underneath is the anxious performer’s question: if I do the normal thing, will it land? The kiss becomes an audition.
Context matters. Carrey came up in a 1990s star system that rewarded rubber-faced extremes and “commitment” as masculinity: go big, take risks, dominate the frame. The bit turns courtship into a controlled fall, with him as both the threat and the savior. That’s the subtextual power play: engineering danger so you can stage rescue, then calling it passion.
Read today, it also reveals how entertainment language can colonize intimacy. When you can’t stop thinking in set pieces, even affection gets storyboarded for impact.
The line is funny because it’s both earnest and absurdly invasive. “Kiss her like a girl has never been kissed” reaches for poetic uniqueness, then immediately swerves into slapstick peril - kicking her legs out, catching her mid-fall. It’s the physical-comedy version of an emotional promise: I’ll surprise you, I’ll be different, I’ll earn a reaction. Underneath is the anxious performer’s question: if I do the normal thing, will it land? The kiss becomes an audition.
Context matters. Carrey came up in a 1990s star system that rewarded rubber-faced extremes and “commitment” as masculinity: go big, take risks, dominate the frame. The bit turns courtship into a controlled fall, with him as both the threat and the savior. That’s the subtextual power play: engineering danger so you can stage rescue, then calling it passion.
Read today, it also reveals how entertainment language can colonize intimacy. When you can’t stop thinking in set pieces, even affection gets storyboarded for impact.
Quote Details
| Topic | Romantic |
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