"I used to like writing for comedians - I enjoyed the challenge of making other people funny"
About this Quote
There is a modesty to Denis Norden's line that doubles as a quiet flex. He frames comedy writing not as self-expression but as skilled carpentry: the job is to make someone else shine. In a culture that prizes the auteur and the visible genius, Norden spotlights the invisible craftsperson, the person who understands timing, voice, and misdirection well enough to hand it off like a perfectly weighted tool.
The key word is "challenge". Comedy here isn't inspiration; it's engineering under constraints. When you're writing for comedians, you're not chasing your own laugh, you're reverse-engineering theirs: their rhythm, their persona, their public mask. That implies a kind of ego management that is itself comic - the writer has to be confident enough to build the joke and humble enough to let another person get the credit. Norden's phrasing carries the resigned pleasure of a professional who knows the rules of the business and chose to enjoy them anyway.
The subtext is also about power and authorship. "Making other people funny" admits the uncomfortable truth audiences often forget: charisma is rarely solo. Especially in British television's mid-century ecosystem, where writers' rooms and sketch factories fed performers, the line nods to comedy as a collaborative industry, not a one-person miracle. Norden, a veteran of that era, is defending a disappearing form of expertise: the writer as ventriloquist, not star, and proud of it.
The key word is "challenge". Comedy here isn't inspiration; it's engineering under constraints. When you're writing for comedians, you're not chasing your own laugh, you're reverse-engineering theirs: their rhythm, their persona, their public mask. That implies a kind of ego management that is itself comic - the writer has to be confident enough to build the joke and humble enough to let another person get the credit. Norden's phrasing carries the resigned pleasure of a professional who knows the rules of the business and chose to enjoy them anyway.
The subtext is also about power and authorship. "Making other people funny" admits the uncomfortable truth audiences often forget: charisma is rarely solo. Especially in British television's mid-century ecosystem, where writers' rooms and sketch factories fed performers, the line nods to comedy as a collaborative industry, not a one-person miracle. Norden, a veteran of that era, is defending a disappearing form of expertise: the writer as ventriloquist, not star, and proud of it.
Quote Details
| Topic | Funny |
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