"I usually have 10 different animation projects going at a time"
About this Quote
The flex here isn’t about busyness; it’s about how voice acting quietly runs on controlled chaos. Tara Strong’s “usually” does a lot of work: ten projects isn’t a temporary crunch, it’s her baseline. In an industry where actors are often imagined waiting by the phone, she reframes the job as constant motion, a juggling act that’s less glamorous than it is logistical. The line lands because it’s casual, almost tossed off, which signals confidence and veteran status: she doesn’t need to dramatize the workload to make it sound impressive.
The subtext is also about invisibility. Animation performance is everywhere and nowhere at once; audiences recognize characters, not the person sustaining them across studios, franchises, reboots, and video games. By naming the number, Strong makes the labor legible. It’s a subtle corrective to the myth that voice work is “just talking.” Ten simultaneous gigs implies constant vocal calibration, character continuity, and rapid switching between tones, ages, and emotional registers, sometimes in the same day.
Context matters: modern animation is a pipeline industry with staggered schedules, pickups, table reads, ADR, and last-minute rewrites. The quote hints at a freelance reality where stability comes from volume, not permanence. It also reads as a snapshot of a performer who’s become infrastructure. When you’re that reliable, you don’t star in a single project; you thread through the culture, maintaining a kind of off-screen omnipresence that only gets noticed when someone finally points at the math.
The subtext is also about invisibility. Animation performance is everywhere and nowhere at once; audiences recognize characters, not the person sustaining them across studios, franchises, reboots, and video games. By naming the number, Strong makes the labor legible. It’s a subtle corrective to the myth that voice work is “just talking.” Ten simultaneous gigs implies constant vocal calibration, character continuity, and rapid switching between tones, ages, and emotional registers, sometimes in the same day.
Context matters: modern animation is a pipeline industry with staggered schedules, pickups, table reads, ADR, and last-minute rewrites. The quote hints at a freelance reality where stability comes from volume, not permanence. It also reads as a snapshot of a performer who’s become infrastructure. When you’re that reliable, you don’t star in a single project; you thread through the culture, maintaining a kind of off-screen omnipresence that only gets noticed when someone finally points at the math.
Quote Details
| Topic | Work |
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