"I view life as a learning experience. It is not so much all about music; it is about what happens when you are doing the music"
About this Quote
Michael Schenker’s line reads like a veteran’s antidote to the romantic myth of the guitarist as pure lightning-in-a-bottle. “I view life as a learning experience” is deliberately plainspoken, almost stubbornly unglamorous for someone whose job is often wrapped in swagger. It frames his career less as a highlight reel and more as a long apprenticeship, a posture that quietly rejects the idea that talent alone is the story.
The pivot is the real tell: “not so much all about music; it is about what happens when you are doing the music.” That “when” moves the focus from product to process, from the finished solo to the messy, human machinery around it. He’s pointing at the invisible curriculum of making art: discipline, conflict, ego management, boredom on the road, the fragile chemistry of a band, the way inspiration can be derailed by finances or addiction or simple fatigue. The subtext is lived experience from a rock ecosystem that’s historically chewed up players with genius and poor guardrails.
It also reads as a subtle defense of imperfection. If the point is “what happens” during the act, then mistakes, detours, and interpersonal fallout aren’t just collateral damage; they’re part of the education. In a culture that treats music as content and musicians as brands, Schenker’s intent is almost countercultural: the art isn’t the only output. The person you become while trying to make it is.
The pivot is the real tell: “not so much all about music; it is about what happens when you are doing the music.” That “when” moves the focus from product to process, from the finished solo to the messy, human machinery around it. He’s pointing at the invisible curriculum of making art: discipline, conflict, ego management, boredom on the road, the fragile chemistry of a band, the way inspiration can be derailed by finances or addiction or simple fatigue. The subtext is lived experience from a rock ecosystem that’s historically chewed up players with genius and poor guardrails.
It also reads as a subtle defense of imperfection. If the point is “what happens” during the act, then mistakes, detours, and interpersonal fallout aren’t just collateral damage; they’re part of the education. In a culture that treats music as content and musicians as brands, Schenker’s intent is almost countercultural: the art isn’t the only output. The person you become while trying to make it is.
Quote Details
| Topic | Life |
|---|---|
| Source | Help us find the source |
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