"I wake up every morning at nine and grab for the morning paper. Then I look at the obituary page. If my name is not on it, I get up"
About this Quote
Dark humor is a pressure valve here: a ritual of mortality turned into a punchline about productivity. The bit works because it treats existence as conditional, almost bureaucratic. Franklin pretends the obituary page is the day’s official roll call, a civic document that grants permission to proceed. If you’re not listed, you’re cleared for action. It’s a politician’s joke that turns death into paperwork and living into a matter of public record.
The intent is less about fear of dying than about disciplining the self. Franklin, avatar of schedules, self-improvement, and industriousness, frames waking up as a test you pass each morning. The laugh comes from the absurdity: checking whether you’re dead before deciding to live. But the subtext is pointed. Time is the only real currency, and the only truly nonrenewable one; you don’t get to negotiate with it. So he builds a comedic routine that functions like a moral alarm clock: you’re alive, so move.
Context matters, too. Eighteenth-century life made death conspicuous - epidemics, infant mortality, accidents - and newspapers made it communal through printed notices. Franklin, a printer and publisher, knew exactly how the paper manufactures reality: what’s printed feels official. He exploits that authority for satire and for self-mythmaking, presenting himself as the kind of man who needs the ultimate external confirmation before he’ll stop working. The joke flatters him, then needles us: if you’re waiting for certainty, the obituary will eventually provide it.
The intent is less about fear of dying than about disciplining the self. Franklin, avatar of schedules, self-improvement, and industriousness, frames waking up as a test you pass each morning. The laugh comes from the absurdity: checking whether you’re dead before deciding to live. But the subtext is pointed. Time is the only real currency, and the only truly nonrenewable one; you don’t get to negotiate with it. So he builds a comedic routine that functions like a moral alarm clock: you’re alive, so move.
Context matters, too. Eighteenth-century life made death conspicuous - epidemics, infant mortality, accidents - and newspapers made it communal through printed notices. Franklin, a printer and publisher, knew exactly how the paper manufactures reality: what’s printed feels official. He exploits that authority for satire and for self-mythmaking, presenting himself as the kind of man who needs the ultimate external confirmation before he’ll stop working. The joke flatters him, then needles us: if you’re waiting for certainty, the obituary will eventually provide it.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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