"I want to get away from the high school thing and do other types of roles"
About this Quote
There is a particular kind of career claustrophobia baked into the phrase "the high school thing": it sounds casual, almost throwaway, but it’s really a protest against being flattened into a type. Shannon Elizabeth isn’t just talking about playing teenagers; she’s talking about the cultural machinery that keeps certain actresses circulating through the same glossy corridor of roles long after the audience has learned their face. The wording matters. "Thing" is deliberately vague, as if naming the box too clearly would give it more power. It also signals how normalized that box is in Hollywood: not an aberration, just a routine.
The intent is strategic as much as artistic. Coming out of late-90s/early-2000s teen-comedy fame, Elizabeth is negotiating with an industry that rewarded a specific brand of youth-coded visibility and then expected her to keep reproducing it. "Get away" frames the work as an escape, not a pivot, which hints at exhaustion: the roles aren’t merely limiting, they’re contaminating, threatening to become the only story casting directors can imagine.
Then she lands on "other types of roles", a phrase that sounds modest but carries ambition. It’s an appeal for range without sounding entitled, a careful balance women in entertainment often have to strike: assert growth while staying likable. Underneath it all is a bid for adulthood on camera, for permission to age, complicate, and be taken seriously in a system that monetizes the opposite.
The intent is strategic as much as artistic. Coming out of late-90s/early-2000s teen-comedy fame, Elizabeth is negotiating with an industry that rewarded a specific brand of youth-coded visibility and then expected her to keep reproducing it. "Get away" frames the work as an escape, not a pivot, which hints at exhaustion: the roles aren’t merely limiting, they’re contaminating, threatening to become the only story casting directors can imagine.
Then she lands on "other types of roles", a phrase that sounds modest but carries ambition. It’s an appeal for range without sounding entitled, a careful balance women in entertainment often have to strike: assert growth while staying likable. Underneath it all is a bid for adulthood on camera, for permission to age, complicate, and be taken seriously in a system that monetizes the opposite.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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