"I want to go out there and do the best work I can"
About this Quote
There’s a deliberate modesty baked into Will Friedle’s line: not “be the best,” not “win,” not “prove them wrong,” just “do the best work I can.” It’s an actor’s credo stripped of glamour, the kind that quietly rejects the celebrity scoreboard. The focus isn’t on outcome or recognition; it’s on craft. That choice of language matters because entertainment culture routinely rewards performance-as-brand. Friedle is talking about performance-as-labor.
“Go out there” carries the faint adrenaline of the arena: an audition room, a set, a recording booth. It frames acting as a repeated act of stepping into pressure, not a fixed identity. He isn’t claiming inspiration; he’s committing to showing up. The phrase also signals professionalism in an industry where a career can be defined by one role or one era of visibility. Friedle, known to many from beloved 1990s work and later voice acting, sits in that peculiar space where audiences feel they know you, while the business keeps asking you to reintroduce yourself. “Best work I can” acknowledges constraints - time, health, typecasting, luck - without surrendering agency. It’s aspiration with a ceiling, and that ceiling is honesty.
The subtext is resilience: a way to stay sane when the external metrics are unstable. By making the unit of success “my work,” Friedle pulls the goal back into something controllable. It’s a quiet pushback against the mythology that talent guarantees triumph, replacing it with a sturdier ethic: effort, preparation, repeat.
“Go out there” carries the faint adrenaline of the arena: an audition room, a set, a recording booth. It frames acting as a repeated act of stepping into pressure, not a fixed identity. He isn’t claiming inspiration; he’s committing to showing up. The phrase also signals professionalism in an industry where a career can be defined by one role or one era of visibility. Friedle, known to many from beloved 1990s work and later voice acting, sits in that peculiar space where audiences feel they know you, while the business keeps asking you to reintroduce yourself. “Best work I can” acknowledges constraints - time, health, typecasting, luck - without surrendering agency. It’s aspiration with a ceiling, and that ceiling is honesty.
The subtext is resilience: a way to stay sane when the external metrics are unstable. By making the unit of success “my work,” Friedle pulls the goal back into something controllable. It’s a quiet pushback against the mythology that talent guarantees triumph, replacing it with a sturdier ethic: effort, preparation, repeat.
Quote Details
| Topic | Work Ethic |
|---|
More Quotes by Will
Add to List







