"I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know"
About this Quote
Held isn’t describing “performance” so much as a controlled act of possession. “Turn and writhe” is visceral, almost clinical: bodies responding before minds can catch up. Coming from a turn-of-the-century entertainer who helped define modern celebrity spectacle, the line reads like a manifesto for the pre-Hollywood era when the stage was less about plot than sensation - and the star’s job was to move an audience like a weather system.
The intent is blunt: she wants reaction, not approval. “Make them feel things they cannot see” points to the invisible machinery of desire, envy, shame, longing - the stuff polite society pretends isn’t driving it. Held’s genius is acknowledging that the most reliable levers in a crowd are subterranean. The phrase “sometimes do not know” is the kicker: she’s not offering catharsis; she’s exposing people to themselves. That’s both seductive and faintly predatory, a wink at the power imbalance between performer and spectator.
Context sharpens it. Held, a vaudeville and musical-comedy star associated with Florenz Ziegfeld, helped popularize a style of entertainment where glamour and suggestion did as much work as jokes or songs. Her era was obsessed with respectability on the surface and titillation underneath. This line understands the bargain: the audience buys a ticket to be safely destabilized. She’s selling the thrill of being emotionally ambushed - not by what’s shown, but by what’s awakened.
The intent is blunt: she wants reaction, not approval. “Make them feel things they cannot see” points to the invisible machinery of desire, envy, shame, longing - the stuff polite society pretends isn’t driving it. Held’s genius is acknowledging that the most reliable levers in a crowd are subterranean. The phrase “sometimes do not know” is the kicker: she’s not offering catharsis; she’s exposing people to themselves. That’s both seductive and faintly predatory, a wink at the power imbalance between performer and spectator.
Context sharpens it. Held, a vaudeville and musical-comedy star associated with Florenz Ziegfeld, helped popularize a style of entertainment where glamour and suggestion did as much work as jokes or songs. Her era was obsessed with respectability on the surface and titillation underneath. This line understands the bargain: the audience buys a ticket to be safely destabilized. She’s selling the thrill of being emotionally ambushed - not by what’s shown, but by what’s awakened.
Quote Details
| Topic | Art |
|---|
More Quotes by Anna
Add to List



