"I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face"
About this Quote
Carr’s line lands like a small act of misdirection: the grown novelist insisting that his childhood self would have mocked the very outcome he ultimately achieved. The point isn’t humblebrag innocence; it’s a reminder that ambition is often retrospective storytelling. We like to imagine artists as kids with a single, unwavering “calling,” but Carr frames vocation as something stranger: a desire you can’t recognize as yours until you’re already living it.
The phrasing does two jobs at once. “I wanted nothing less than to be a fiction writer” reads like certainty, but it’s a certainty aimed at an impossible object. As a kid, “fiction writer” isn’t a job so much as an identity with mythic aura. Then he undercuts that romantic image with the punchy, almost combative “laughed in your face.” That’s not polite surprise; it’s the defensive laugh of someone who would have associated being an “artist or novelist” with pretension, impracticality, or social risk. Carr is describing not just youthful ignorance but the cultural pressures that make creative ambition feel embarrassing to name out loud.
Context matters: Carr came of age in a late-20th-century America that prized professional stability and treated “writer” as either an elite ornament or a delusion. His sentence captures the psychological whiplash of turning a private obsession into a public life. The subtext is freeing: your future self doesn’t owe your younger self narrative consistency. Sometimes the only way into art is by initially refusing to believe you’re the kind of person who gets to make it.
The phrasing does two jobs at once. “I wanted nothing less than to be a fiction writer” reads like certainty, but it’s a certainty aimed at an impossible object. As a kid, “fiction writer” isn’t a job so much as an identity with mythic aura. Then he undercuts that romantic image with the punchy, almost combative “laughed in your face.” That’s not polite surprise; it’s the defensive laugh of someone who would have associated being an “artist or novelist” with pretension, impracticality, or social risk. Carr is describing not just youthful ignorance but the cultural pressures that make creative ambition feel embarrassing to name out loud.
Context matters: Carr came of age in a late-20th-century America that prized professional stability and treated “writer” as either an elite ornament or a delusion. His sentence captures the psychological whiplash of turning a private obsession into a public life. The subtext is freeing: your future self doesn’t owe your younger self narrative consistency. Sometimes the only way into art is by initially refusing to believe you’re the kind of person who gets to make it.
Quote Details
| Topic | Writing |
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