"I wanted to be left alone to live my life, so it was very easy for people to pretend that they were me"
About this Quote
There’s a grim elegance in how Makhmalbaf frames celebrity as both intrusion and camouflage: the desire to be “left alone” becomes the very condition that lets others wear his name. The line lands like a paradox, but it’s really an anatomy of power. If you withdraw from the public square, you don’t exit the story; you just surrender authorship of it. Someone else will fill the outline you leave behind.
As a director forged in post-revolutionary Iran, Makhmalbaf knows that identity isn’t only personal - it’s a political asset. A famous name can be borrowed, forged, or projected onto a body the way a film image is thrown onto a screen. The phrasing “pretend that they were me” doesn’t just gesture at impersonation; it suggests substitution, even erasure. “Very easy” is the cruelest detail: not a dramatic theft, but a frictionless social process enabled by distance, mythmaking, and the public’s hunger for a narrative they can touch.
The subtext is about spectatorship. Audiences don’t merely watch; they collaborate, sometimes carelessly, in constructing the figure they want. In a climate where surveillance, censorship, and reputation can determine survival, the “me” that circulates isn’t a stable self but a role others can occupy. Makhmalbaf’s line doubles as an artist’s warning: privacy is not a shield when your image has already become public property.
As a director forged in post-revolutionary Iran, Makhmalbaf knows that identity isn’t only personal - it’s a political asset. A famous name can be borrowed, forged, or projected onto a body the way a film image is thrown onto a screen. The phrasing “pretend that they were me” doesn’t just gesture at impersonation; it suggests substitution, even erasure. “Very easy” is the cruelest detail: not a dramatic theft, but a frictionless social process enabled by distance, mythmaking, and the public’s hunger for a narrative they can touch.
The subtext is about spectatorship. Audiences don’t merely watch; they collaborate, sometimes carelessly, in constructing the figure they want. In a climate where surveillance, censorship, and reputation can determine survival, the “me” that circulates isn’t a stable self but a role others can occupy. Makhmalbaf’s line doubles as an artist’s warning: privacy is not a shield when your image has already become public property.
Quote Details
| Topic | Loneliness |
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