"I wanted to make a living, but I really was not interested in money at all. I was interested in being a great comedian"
About this Quote
Larry David’s line lands because it’s a blunt little contradiction that sounds like a punchline and a confession at the same time. “Make a living” is the modest, responsible phrase you say to family, landlords, and your own anxious brain. Then he detonates it with “not interested in money at all,” a claim so extreme it reads like both virtue and self-parody. Coming from David, it’s also a character note: the guy who built a career mining discomfort insists his true motivation was craft, not cash, and he says it in a way that almost dares you to doubt him.
The subtext is less saintly than it appears. “Not interested in money” doesn’t mean indifferent to survival; it means money is a byproduct, not the yardstick. David frames ambition as aesthetic rather than economic: the real currency is being “great,” which is a harsher standard than being rich. Greatness implies taste, timing, and a willingness to bomb in public until the sensibility sharpens. It’s the artist’s version of a hustle, just dressed in anti-hustle language.
Context matters: David came up in the late-night and stand-up ecosystem where most people were chasing a paycheck and a spot, and where “selling out” was a moral category. His career (Seinfeld, then Curb) became a long argument that obsessive specificity wins. The quote quietly rewrites the American success story: he wanted stability, sure, but what he was really after was the authority to be relentlessly himself.
The subtext is less saintly than it appears. “Not interested in money” doesn’t mean indifferent to survival; it means money is a byproduct, not the yardstick. David frames ambition as aesthetic rather than economic: the real currency is being “great,” which is a harsher standard than being rich. Greatness implies taste, timing, and a willingness to bomb in public until the sensibility sharpens. It’s the artist’s version of a hustle, just dressed in anti-hustle language.
Context matters: David came up in the late-night and stand-up ecosystem where most people were chasing a paycheck and a spot, and where “selling out” was a moral category. His career (Seinfeld, then Curb) became a long argument that obsessive specificity wins. The quote quietly rewrites the American success story: he wanted stability, sure, but what he was really after was the authority to be relentlessly himself.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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