"I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls"
About this Quote
Tommy Chong’s line lands because it’s both a confession and a punchline, the kind of ribald honesty that’s always been his brand. He’s not dressing adolescence up as “finding his calling”; he’s admitting the oldest, least poetic motivator in the book: sex. The candor works as a cultural corrective. We’re used to origin stories where art springs from pure passion, trauma, or genius. Chong yanks that halo off and replaces it with a teenage epiphany about status and access.
The phrasing is doing a lot. “Could get you laid” is blunt on purpose, refusing nostalgia. “So I got into music” turns creativity into strategy, like picking up a skill in a role-playing game because it boosts your charisma stats. Then he widens the appeal with “didn’t matter what you looked like,” framing music as a workaround for the tyranny of appearance. That’s the subtext: performance is a social cheat code. You don’t have to be the jock; you can be the “geeky looking guy” with a guitar and suddenly the room reorganizes around you.
There’s also a sly generosity in the boast. Chong isn’t just flexing; he’s validating every awkward kid who suspected that talent could launder insecurity into desirability. Coming from an actor synonymous with stoner comedy, it fits a broader 1960s-70s ethos where music wasn’t just art - it was a ladder, a tribe, a pickup line, a passport. It’s funny because it’s true, and uncomfortable because it’s truer than the sanitized myth we prefer.
The phrasing is doing a lot. “Could get you laid” is blunt on purpose, refusing nostalgia. “So I got into music” turns creativity into strategy, like picking up a skill in a role-playing game because it boosts your charisma stats. Then he widens the appeal with “didn’t matter what you looked like,” framing music as a workaround for the tyranny of appearance. That’s the subtext: performance is a social cheat code. You don’t have to be the jock; you can be the “geeky looking guy” with a guitar and suddenly the room reorganizes around you.
There’s also a sly generosity in the boast. Chong isn’t just flexing; he’s validating every awkward kid who suspected that talent could launder insecurity into desirability. Coming from an actor synonymous with stoner comedy, it fits a broader 1960s-70s ethos where music wasn’t just art - it was a ladder, a tribe, a pickup line, a passport. It’s funny because it’s true, and uncomfortable because it’s truer than the sanitized myth we prefer.
Quote Details
| Topic | Music |
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