"I was always telling everyone, I want to be a broadcaster. They'd say, What, are you crazy? What, you're going to be Arthur Godfrey?"
About this Quote
Larry King frames ambition as a kind of social deviance: wanting to be a broadcaster isn’t treated as a plan, it’s treated as a punchline. The “What, are you crazy?” isn’t just doubt; it’s a policing of aspiration, the way people in your orbit try to keep your future within the boundaries of what they can imagine. King turns that familiar discouragement into comic rhythm, stacking the repeated “What” like hecklers in a cheap seat. The cadence matters: it mimics the interrupting voices of a room that assumes it knows better than you do.
Then he lands the generational reference that does most of the cultural work: Arthur Godfrey, the midcentury radio-TV titan who embodied mainstream American broadcasting at its most genial and omnipresent. Invoking Godfrey isn’t random name-dropping; it’s the implied absurdity of scale. Of course you’re not going to be Arthur Godfrey, they suggest. Their skepticism is less about King’s talent than about the perceived scarcity of that kind of platform, as if celebrity is a single throne and everyone else should stop pretending.
King’s intent is partly autobiographical mythmaking: the underdog origin story where the dream is declared early, laughed at, and then vindicated by sheer persistence. The subtext is sharper: broadcasting wasn’t merely a job, it was an identity, a voice that could enter living rooms and feel like it belonged there. By quoting the dismissers, King keeps the narrative humble while quietly reminding you he outlasted their imagination.
Then he lands the generational reference that does most of the cultural work: Arthur Godfrey, the midcentury radio-TV titan who embodied mainstream American broadcasting at its most genial and omnipresent. Invoking Godfrey isn’t random name-dropping; it’s the implied absurdity of scale. Of course you’re not going to be Arthur Godfrey, they suggest. Their skepticism is less about King’s talent than about the perceived scarcity of that kind of platform, as if celebrity is a single throne and everyone else should stop pretending.
King’s intent is partly autobiographical mythmaking: the underdog origin story where the dream is declared early, laughed at, and then vindicated by sheer persistence. The subtext is sharper: broadcasting wasn’t merely a job, it was an identity, a voice that could enter living rooms and feel like it belonged there. By quoting the dismissers, King keeps the narrative humble while quietly reminding you he outlasted their imagination.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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