"I was an accomplice in my own frustration"
About this Quote
There is a special sting in calling yourself an accomplice. Peter Shaffer could have said he “caused” his frustration or “sabotaged” himself, but “accomplice” drags in the language of crime: intent, collusion, a quiet deal struck in the dark. It makes frustration feel less like bad luck and more like a pact you didn’t want to admit you signed.
That’s a playwright’s diagnosis, not a self-help slogan. Shaffer’s work is crowded with characters who hunger for transcendence and then recoil from the costs of wanting it: the respectable life versus the life that burns, comfort versus intensity, the safe script versus the terrifying improvisation. The line implies a split self: one part craving freedom, another part maintaining the locks. It’s not just that circumstances hem you in; you help build the hem.
The subtext is a critique of how “frustration” gets romanticized as something done to us by bosses, parents, critics, the marketplace. Shaffer flips the lens to complicity: the small choices that preserve plausibility, the delays justified as prudence, the way we outsource our agency so we can keep our self-image intact. “Accomplice” also suggests shame - frustration isn’t only painful, it’s embarrassing, because it exposes the places where fear masquerades as principle.
In a theatrical context, it’s a perfect interior monologue: confession as dramaturgy. The character doesn’t ask for sympathy; he puts himself on trial. That severity is what makes the line bracing. It refuses the comfort of innocence.
That’s a playwright’s diagnosis, not a self-help slogan. Shaffer’s work is crowded with characters who hunger for transcendence and then recoil from the costs of wanting it: the respectable life versus the life that burns, comfort versus intensity, the safe script versus the terrifying improvisation. The line implies a split self: one part craving freedom, another part maintaining the locks. It’s not just that circumstances hem you in; you help build the hem.
The subtext is a critique of how “frustration” gets romanticized as something done to us by bosses, parents, critics, the marketplace. Shaffer flips the lens to complicity: the small choices that preserve plausibility, the delays justified as prudence, the way we outsource our agency so we can keep our self-image intact. “Accomplice” also suggests shame - frustration isn’t only painful, it’s embarrassing, because it exposes the places where fear masquerades as principle.
In a theatrical context, it’s a perfect interior monologue: confession as dramaturgy. The character doesn’t ask for sympathy; he puts himself on trial. That severity is what makes the line bracing. It refuses the comfort of innocence.
Quote Details
| Topic | Learning from Mistakes |
|---|---|
| Source | Help us find the source |
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