"I was an actor... or, at least, I was trying to be an actor"
About this Quote
There is a whole career arc hiding in Donner's ellipsis: the quiet embarrassment of wanting to perform, and the harder-earned authority of realizing you're better at running the room than being in the spotlight. "I was an actor... or, at least, I was trying to be an actor" lands because it frames ambition as a slightly awkward audition you never quite stop reliving. He doesn't romanticize the struggle; he undercuts it. The joke is small, self-directed, and telling.
Coming from a director who helped define mainstream American spectacle (Superman, Lethal Weapon), the line reads like a thesis on what directors actually do. Acting is identity; directing is orchestration. Donner's correction - "or, at least" - performs the humility expected in Hollywood while also signaling a shift from self-expression to control, from being interpreted to doing the interpreting. It's a way of saying: I learned where my leverage was.
The subtext is also about legitimacy. "Trying" acknowledges the industry's gatekeeping without turning it into melodrama. Plenty of filmmakers begin as performers; few admit how provisional that phase felt. Donner's phrasing gives failure a useful afterlife: not tragedy, not trauma, just data. That pragmatism matches his films, which are less auteurist confession than audience-calibrated craft.
In an era that fetishizes origin stories, Donner offers an anti-myth. No lightning bolt, no destiny - just a pivot, narrated with a shrug that doubles as a wink.
Coming from a director who helped define mainstream American spectacle (Superman, Lethal Weapon), the line reads like a thesis on what directors actually do. Acting is identity; directing is orchestration. Donner's correction - "or, at least" - performs the humility expected in Hollywood while also signaling a shift from self-expression to control, from being interpreted to doing the interpreting. It's a way of saying: I learned where my leverage was.
The subtext is also about legitimacy. "Trying" acknowledges the industry's gatekeeping without turning it into melodrama. Plenty of filmmakers begin as performers; few admit how provisional that phase felt. Donner's phrasing gives failure a useful afterlife: not tragedy, not trauma, just data. That pragmatism matches his films, which are less auteurist confession than audience-calibrated craft.
In an era that fetishizes origin stories, Donner offers an anti-myth. No lightning bolt, no destiny - just a pivot, narrated with a shrug that doubles as a wink.
Quote Details
| Topic | Movie |
|---|
More Quotes by Richard
Add to List
