"I was an only child; I didn't have a sister, or sisters"
About this Quote
Beverly Cleary’s plainspoken sentence reads like a shrug, but it’s doing real work: it quietly frames a whole imaginative ecosystem built out of absence. “Only child” isn’t presented as trauma or triumph; it’s just a fact, delivered in the clean, unornamented way Cleary wrote about kids themselves. That restraint is the point. She refuses the grand narrative and instead signals the everyday conditions that shape a writer’s inner life.
The repetition - “a sister, or sisters” - is almost childlike in its insistence, as if she’s testing the idea from multiple angles. Singular and plural both get named, which underlines what’s missing: not one intimate counterpart, not even a small chorus of siblings to absorb attention, share secrets, or dilute solitude. It suggests a childhood spent negotiating adulthood more directly, reading a room of grown-ups, and filling quiet space with invention.
Context matters: Cleary came of age in an era that prized tidy family scripts, especially for girls. By specifying sisters (rather than siblings broadly), she nods to the gendered version of that script - the expected built-in confidante, rival, mirror. Her work famously centers children who feel intensely real, slightly out of sync, and fiercely specific. This line hints at the engine behind that: a kid learning to make her own company, and later, making company for millions of readers who also felt a little alone in a crowded world.
The repetition - “a sister, or sisters” - is almost childlike in its insistence, as if she’s testing the idea from multiple angles. Singular and plural both get named, which underlines what’s missing: not one intimate counterpart, not even a small chorus of siblings to absorb attention, share secrets, or dilute solitude. It suggests a childhood spent negotiating adulthood more directly, reading a room of grown-ups, and filling quiet space with invention.
Context matters: Cleary came of age in an era that prized tidy family scripts, especially for girls. By specifying sisters (rather than siblings broadly), she nods to the gendered version of that script - the expected built-in confidante, rival, mirror. Her work famously centers children who feel intensely real, slightly out of sync, and fiercely specific. This line hints at the engine behind that: a kid learning to make her own company, and later, making company for millions of readers who also felt a little alone in a crowded world.
Quote Details
| Topic | Sister |
|---|---|
| Source | Help us find the source |
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