"I was blessed with a gift. It's a gift and a curse. It never ends"
About this Quote
A songwriter calling his talent a blessing and a curse is flirting with a familiar myth, but Fogelberg’s phrasing makes it feel less like mythology and more like a diagnosis. “I was blessed with a gift” opens in the language of gratitude, almost religious in its passive construction: something was bestowed, not chosen. Then he snaps the halo in half: “It’s a gift and a curse.” The repetition of “gift” isn’t redundancy; it’s insistence. He’s naming the same thing twice to show how one force can feed you and devour you with equal appetite.
The kicker is the final sentence: “It never ends.” That’s where the romantic story of artistry turns into a chronic condition. The line suggests compulsion, not inspiration - the internal motor that keeps writing songs after the applause, after the tour, after the personal cost is already tallied. It also hints at the way a public-facing talent follows you around: the expectation to keep producing, to keep being “the artist,” long after you’d like to just be a person.
In Fogelberg’s world - confessional, melodic, emotionally direct - the subtext lands as a quiet admission of labor. Sensitivity is both his raw material and his liability. You can hear the era’s soft-rock intimacy in it, but also something timeless about creative identity: when the thing you do best is also the thing that refuses to leave you alone, even rest starts to feel like failure. The sentence structure is plain because the reality is: no clever metaphor, no escape hatch.
The kicker is the final sentence: “It never ends.” That’s where the romantic story of artistry turns into a chronic condition. The line suggests compulsion, not inspiration - the internal motor that keeps writing songs after the applause, after the tour, after the personal cost is already tallied. It also hints at the way a public-facing talent follows you around: the expectation to keep producing, to keep being “the artist,” long after you’d like to just be a person.
In Fogelberg’s world - confessional, melodic, emotionally direct - the subtext lands as a quiet admission of labor. Sensitivity is both his raw material and his liability. You can hear the era’s soft-rock intimacy in it, but also something timeless about creative identity: when the thing you do best is also the thing that refuses to leave you alone, even rest starts to feel like failure. The sentence structure is plain because the reality is: no clever metaphor, no escape hatch.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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