"I was brought up in Scotland and have always been a country person, although the town means a great deal to me, too"
About this Quote
There is a quiet diplomacy in Susannah York balancing "Scotland", "country", and "town" in a single breath. For an actress whose career depended on metropolitan stages, film sets, and the churn of publicity, she’s crafting an identity that resists being fully claimed by the city machine. "Brought up in Scotland" does more than locate her on a map; it signals a temperament: stoic, self-contained, slightly weatherproof. It’s an origin story that reads as character reference.
The phrase "have always been a country person" works as a soft rebuttal to the assumption that artistic success requires urban allegiance. Country, here, isn’t just pastoral preference. It’s a stand-in for privacy, steadiness, and a life scaled to human proportions, a way of saying: I can do the work without becoming the kind of person the work tries to make you. In celebrity culture, that’s not nostalgia, it’s strategy.
Then comes the neat corrective: "although the town means a great deal to me, too". York doesn’t romanticize escape or perform contempt for cities; she acknowledges what the town provides - opportunity, community, a sense of modernity - while still keeping it at arm’s length. The subtext is about belonging without surrender: an insistence on holding multiple loyalties at once. For a public figure, that’s also a refusal to be reduced to a single narrative, whether "provincial" or "cosmopolitan."
The phrase "have always been a country person" works as a soft rebuttal to the assumption that artistic success requires urban allegiance. Country, here, isn’t just pastoral preference. It’s a stand-in for privacy, steadiness, and a life scaled to human proportions, a way of saying: I can do the work without becoming the kind of person the work tries to make you. In celebrity culture, that’s not nostalgia, it’s strategy.
Then comes the neat corrective: "although the town means a great deal to me, too". York doesn’t romanticize escape or perform contempt for cities; she acknowledges what the town provides - opportunity, community, a sense of modernity - while still keeping it at arm’s length. The subtext is about belonging without surrender: an insistence on holding multiple loyalties at once. For a public figure, that’s also a refusal to be reduced to a single narrative, whether "provincial" or "cosmopolitan."
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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