"I was brought up in the War. I was an adolescent in the Second World War. And I did witness in London a great deal of the Blitz"
About this Quote
Pinter opens with a blunt autobiographical ledger, then lets the real point leak out through repetition and restraint. "I was brought up in the War" isn’t just a date stamp; it’s a claim that violence was an atmosphere, a curriculum, something you inhale before you can name it. The second sentence tightens the screw: adolescence is when you’re supposed to be apprenticed to possibility, and he instead was apprenticed to sirens, rubble, and the disciplined unreliability of sleep. By the time he gets to "I did witness", the phrase sounds almost legalistic, like testimony offered with care because memory itself has been politicized.
That careful, almost understated delivery is pure Pinter. His plays don’t traffic in cathartic speeches; they mine the menace in ordinary language, the way power announces itself through what isn’t said. Here, the subtext is that war doesn’t end when the armistice is signed. It lodges in the body as habit: vigilance, suspicion, the sense that the floor can disappear at any moment. Saying "a great deal of the Blitz" is deliberately vague, a measured quantity standing in for what can’t be quantified. It’s also a quiet rebuke to peacetime abstraction: this isn’t history as concept, it’s history as lived interruption.
Context matters: mid-century London made civilians into targets, and that inversion of safety into threat echoes through Pinter’s work, where rooms are never quite secure and authority arrives uninvited. The intent isn’t nostalgia; it’s provenance. He’s explaining where his signature tension comes from.
That careful, almost understated delivery is pure Pinter. His plays don’t traffic in cathartic speeches; they mine the menace in ordinary language, the way power announces itself through what isn’t said. Here, the subtext is that war doesn’t end when the armistice is signed. It lodges in the body as habit: vigilance, suspicion, the sense that the floor can disappear at any moment. Saying "a great deal of the Blitz" is deliberately vague, a measured quantity standing in for what can’t be quantified. It’s also a quiet rebuke to peacetime abstraction: this isn’t history as concept, it’s history as lived interruption.
Context matters: mid-century London made civilians into targets, and that inversion of safety into threat echoes through Pinter’s work, where rooms are never quite secure and authority arrives uninvited. The intent isn’t nostalgia; it’s provenance. He’s explaining where his signature tension comes from.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
More Quotes by Harold
Add to List





