"I was going to be living there and I didn't want to sound like a foreigner all my life"
About this Quote
There is a particular kind of ambition hiding in that sentence: not fame, not money, but the desire to pass. Mahoney’s line isn’t about hating where you come from; it’s about refusing the permanent role of “the other.” An accent can be charming on screen, but in daily life it’s also a tag that invites questions, jokes, assumptions, and the soft exclusion of being forever explained back to yourself. “All my life” is the tell. He’s not describing a dialect coach’s note; he’s describing a long-term social sentence.
The intent is practical and self-protective: if you’re going to build a life in a new place, you want the freedom to speak without your voice entering the room ahead of you. The subtext is sharper: assimilation isn’t only a choice, it’s often a response to pressure. The word “foreigner” lands with a faint sting, suggesting that belonging can be withheld over something as intimate and unchangeable as sound.
As an actor, Mahoney also understands voice as fate. Your accent can decide what parts you’re offered, what authority you’re granted, what kind of intelligence people hear. So this becomes a statement about craft as much as identity: mastering the local speech isn’t surrender, it’s range. It’s the right to be read as complicated, not just “from somewhere else.” In a culture that loves immigrant stories but still polices who feels native, Mahoney’s candor reads less like vanity and more like a clear-eyed survival plan.
The intent is practical and self-protective: if you’re going to build a life in a new place, you want the freedom to speak without your voice entering the room ahead of you. The subtext is sharper: assimilation isn’t only a choice, it’s often a response to pressure. The word “foreigner” lands with a faint sting, suggesting that belonging can be withheld over something as intimate and unchangeable as sound.
As an actor, Mahoney also understands voice as fate. Your accent can decide what parts you’re offered, what authority you’re granted, what kind of intelligence people hear. So this becomes a statement about craft as much as identity: mastering the local speech isn’t surrender, it’s range. It’s the right to be read as complicated, not just “from somewhere else.” In a culture that loves immigrant stories but still polices who feels native, Mahoney’s candor reads less like vanity and more like a clear-eyed survival plan.
Quote Details
| Topic | Reinvention |
|---|---|
| Source | Help us find the source |
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