"I was hugely relieved to discover there was a purpose for girls with loud voices"
About this Quote
Relief is doing a lot of work here: not relief at being heard, but relief at being allowed. Buckley’s line carries the faint echo of every “indoor voice” correction lobbed at girls who take up space, speak too directly, or project too much ambition. By framing loudness as something that needs a “purpose,” she’s admitting the bargain culture often offers women: your intensity is acceptable if it can be converted into usefulness, preferably in a role someone else approves.
As an actress - and especially in the Broadway ecosystem Buckley comes from - “loud” is both literal and coded. It’s vocal power, yes, but also presence: the refusal to shrink. Musical theater demands volume as craft, which lets her reclaim a trait that might have been labeled obnoxious or unfeminine in everyday life. The joke is gentle but pointed: the world didn’t suddenly fall in love with loud girls; it just found a box where their loudness could be monetized, applauded, and safely contained onstage.
The subtext is a small feminist pivot. She’s not apologizing for being loud; she’s naming the social pressure that made her feel she had to justify it. The sentence lands because it’s personal without being self-pitying, and because it smuggles a critique inside a grin: imagine telling a boy he needs a “purpose” for his voice. Buckley turns a lifetime of correction into a career-defining asset, and the relief reads as both victory and indictment.
As an actress - and especially in the Broadway ecosystem Buckley comes from - “loud” is both literal and coded. It’s vocal power, yes, but also presence: the refusal to shrink. Musical theater demands volume as craft, which lets her reclaim a trait that might have been labeled obnoxious or unfeminine in everyday life. The joke is gentle but pointed: the world didn’t suddenly fall in love with loud girls; it just found a box where their loudness could be monetized, applauded, and safely contained onstage.
The subtext is a small feminist pivot. She’s not apologizing for being loud; she’s naming the social pressure that made her feel she had to justify it. The sentence lands because it’s personal without being self-pitying, and because it smuggles a critique inside a grin: imagine telling a boy he needs a “purpose” for his voice. Buckley turns a lifetime of correction into a career-defining asset, and the relief reads as both victory and indictment.
Quote Details
| Topic | Confidence |
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