"I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera"

Robert Ashley, a progressive author known for his innovative methods to opera and multimedia, checks out the intersection of modern opera and television in his quote. This statement records an extensive shift in considering how opera, a generally theatrical and acoustic art type, could progress and reach modern audiences.

At its core, Ashley's assertion shows an acknowledgment of television's potential as a medium for creative expression, especially for opera. The traditional opera home, with its grandeur and historical significance, might not be the most available or interesting platform for contemporary audiences who progressively consume media through digital screens. Ashley's vision recommends that tv, with its widespread reach and capability to combine audio-visual aspects, might breathe new life into opera, making it more appropriate and accessible.

Ashley's recommendation to "tv kind of opera" indicates the creation of a brand-new genre or form, mixing the storytelling and emotive power of opera with the visual dynamism and broad ease of access of television. This combination demands a reimagining of how opera is composed, carried out, and consumed. Unlike fixed stage set, tv deals dynamic visual storytelling, close-ups, and cinematic methods, which could deepen the psychological impact and narrative complexity of an opera.

Moreover, by aiming to produce operas for television, Ashley acknowledges the altering routines of audiences who remained in the 20th century starting to prefer screen-based media over conventional live performances. This foresight highlights a crucial adaptation to cultural shifts, suggesting that innovation in the arts is not just about what is presented however how it is delivered.

In summary, Ashley articulates a transformative vision for opera, advocating a departure from the standard opera house towards a more modern, media-integrated technique. His pursuit of a "tv type of opera" is not simply a commentary on the capacity of new media but an invite to reassess and redefine the limits of opera in the contemporary age.