"I was looking at making a shift in my career. I've been so blessed I'd like to be able to give that back. If I could find young artists, young performers I can nurture to have a career I would really like that"
About this Quote
Ross frames reinvention as gratitude, but there’s steel under the softness. “I was looking at making a shift” is the clean, businesslike preface of someone who’s already done the glamorous part and is now naming the next chapter on her own terms. Then comes the culturally familiar language of celebrity philanthropy - “so blessed,” “give that back” - a phrase that signals humility while quietly underscoring the scale of what she’s accumulated. Blessing is a public-friendly synonym for power: it sidesteps the messy machinery of ambition, competition, and industry politics that actually built her career.
The real reveal is in the specificity: “young artists, young performers I can nurture.” She isn’t talking about charity; she’s talking about stewardship. Ross is positioning herself as an institution, not just a legend. “Nurture” is maternal and warm, but in entertainment it’s also strategic: mentorship is influence, pipeline-building, taste-making. She’s implicitly critiquing a business that consumes youth while offering little guidance, and she’s offering an alternative structure with herself at the center.
Context matters: Ross came up in an era when Black women’s talent was often packaged and controlled by others. Wanting to cultivate careers reads like a corrective - a chance to be the architect instead of the product. It’s also legacy talk without the funereal tone: she’s not leaving the stage so much as widening it, turning personal success into infrastructure for whoever comes next.
The real reveal is in the specificity: “young artists, young performers I can nurture.” She isn’t talking about charity; she’s talking about stewardship. Ross is positioning herself as an institution, not just a legend. “Nurture” is maternal and warm, but in entertainment it’s also strategic: mentorship is influence, pipeline-building, taste-making. She’s implicitly critiquing a business that consumes youth while offering little guidance, and she’s offering an alternative structure with herself at the center.
Context matters: Ross came up in an era when Black women’s talent was often packaged and controlled by others. Wanting to cultivate careers reads like a corrective - a chance to be the architect instead of the product. It’s also legacy talk without the funereal tone: she’s not leaving the stage so much as widening it, turning personal success into infrastructure for whoever comes next.
Quote Details
| Topic | Career |
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