"I was planning, I told everybody, to take him on the road with me. At the very least I fully expected to keep up my hectic pace, and my passion as a war correspondent"
About this Quote
Ambition and tenderness collide in that opening clause: "I was planning, I told everybody". Amanpour isn’t just narrating a career choice; she’s staging a public pledge, the kind working mothers and high-wire professionals make out loud to preempt judgment. The insistence on telling "everybody" functions like armor. If the plan is announced broadly enough, it becomes identity: she will be the correspondent who doesn’t slow down, who doesn’t let intimacy re-route the mission.
The intriguing friction is in the pronoun. "Him" is deliberately under-specified, allowing the line to hold two truths at once: the private figure (likely a partner or child) and the symbolic passenger of a life in constant motion. Taking someone "on the road" is a romantic idea until you remember what her road is: conflict zones, deadlines, moral injury, logistics that chew up ordinary routines. She’s describing not a tour but a front line.
"At the very least" is the tell. It’s a bargaining phrase, a compromise offered to fate: even if the domestic fantasy doesn’t work, the baseline non-negotiable is the pace. That last pairing - "hectic pace" with "passion as a war correspondent" - reveals the subtext of vocation as propulsion. Passion becomes both justification and warning: she loves the work enough to risk what it costs. The intent is less to boast than to document the mindset required to stay in the story when real life is asking you to step out of it.
The intriguing friction is in the pronoun. "Him" is deliberately under-specified, allowing the line to hold two truths at once: the private figure (likely a partner or child) and the symbolic passenger of a life in constant motion. Taking someone "on the road" is a romantic idea until you remember what her road is: conflict zones, deadlines, moral injury, logistics that chew up ordinary routines. She’s describing not a tour but a front line.
"At the very least" is the tell. It’s a bargaining phrase, a compromise offered to fate: even if the domestic fantasy doesn’t work, the baseline non-negotiable is the pace. That last pairing - "hectic pace" with "passion as a war correspondent" - reveals the subtext of vocation as propulsion. Passion becomes both justification and warning: she loves the work enough to risk what it costs. The intent is less to boast than to document the mindset required to stay in the story when real life is asking you to step out of it.
Quote Details
| Topic | Work-Life Balance |
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