"I was preparing myself for the theater, and... I got a little job here and a job there, but it wasn't going well, and I considered some time before the mid-60s that maybe I should consider something else"
About this Quote
There is something disarmingly un-mythic about James Earl Jones admitting he was ready to walk away. We’re used to the success story where talent is destiny and the only obstacle is belief. Jones offers a harsher, truer version: the grind is not a montage, it’s a stretch of “a little job here and a job there” that doesn’t add up to a life. The ellipses matter. They reproduce the halting rhythm of someone revisiting uncertainty without glamorizing it, letting the hesitation stand in for years when momentum refused to show up.
The line also quietly reframes what we celebrate about him. Jones’ voice became cultural infrastructure - Darth Vader, Mufasa, the gravitas button in American pop culture - but he’s talking about the period before inevitability, when the most rational plan was to choose a different future. That’s not false modesty; it’s a reminder that “making it” in acting is often less a triumph of will than a collision of timing, rent, and the narrow gatekeeping of the mid-century stage.
Subtextually, he’s puncturing the romance of vocation. The theater is presented not as sacred calling but as a career path with brutal math. The intent feels less like confession than permission: even legends had moments when the dream didn’t look like a dream, just a job market that wasn’t hiring.
The line also quietly reframes what we celebrate about him. Jones’ voice became cultural infrastructure - Darth Vader, Mufasa, the gravitas button in American pop culture - but he’s talking about the period before inevitability, when the most rational plan was to choose a different future. That’s not false modesty; it’s a reminder that “making it” in acting is often less a triumph of will than a collision of timing, rent, and the narrow gatekeeping of the mid-century stage.
Subtextually, he’s puncturing the romance of vocation. The theater is presented not as sacred calling but as a career path with brutal math. The intent feels less like confession than permission: even legends had moments when the dream didn’t look like a dream, just a job market that wasn’t hiring.
Quote Details
| Topic | New Beginnings |
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