"I was really stuck in the whole Farah Fawcett hairdo long after it was past being in fashion"
About this Quote
There is a special kind of honesty in admitting you missed the memo on cool. Cindy Margolis is talking about a Farrah Fawcett hairdo the way people talk about an old operating system: it worked, it was familiar, and switching felt like risk. The line isn’t just self-deprecating; it’s a small autopsy of how style becomes identity, especially for someone whose career is built on being looked at.
The Farrah reference matters because it’s not merely “big hair.” It’s a specific, mass-circulated American ideal of sexy, sunny femininity - a look that once promised instant legibility: wholesome bombshell, camera-ready, uncomplicated. Staying in it “long after” its expiration date hints at how women are trained to treat a proven aesthetic as protection. Fashion changes fast; the penalties for getting it wrong are social and, in Margolis’s case, professional.
Subtext: control and nostalgia. Hair is the most editable part of the self, yet the quote frames it as a rut, something she was “stuck” in, as if the culture’s expectations did the trapping. For a model coming of age in a pre-Instagram era, the safest brand strategy was consistency: become a type, then stay that type until the market forces you out. The quiet bite is that trendiness is sold as freedom, but it often functions as surveillance. Margolis’s confession reads like a wink at that system - and a reminder that “out of fashion” is sometimes just “out of step with whoever gets to decide.”
The Farrah reference matters because it’s not merely “big hair.” It’s a specific, mass-circulated American ideal of sexy, sunny femininity - a look that once promised instant legibility: wholesome bombshell, camera-ready, uncomplicated. Staying in it “long after” its expiration date hints at how women are trained to treat a proven aesthetic as protection. Fashion changes fast; the penalties for getting it wrong are social and, in Margolis’s case, professional.
Subtext: control and nostalgia. Hair is the most editable part of the self, yet the quote frames it as a rut, something she was “stuck” in, as if the culture’s expectations did the trapping. For a model coming of age in a pre-Instagram era, the safest brand strategy was consistency: become a type, then stay that type until the market forces you out. The quiet bite is that trendiness is sold as freedom, but it often functions as surveillance. Margolis’s confession reads like a wink at that system - and a reminder that “out of fashion” is sometimes just “out of step with whoever gets to decide.”
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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