"I was reared in the conservative atmosphere of a Methodist parsonage"
About this Quote
Built into that single verb, "reared", is a whole moral architecture: not simply raised, but shaped, disciplined, trained the way a community trains its young to carry its codes without complaint. Countee Cullen’s line is modest on its face, yet it quietly stakes out the pressure chamber in which his sensibility formed. A "Methodist parsonage" isn’t just a home; it’s a public-facing house of rules, a place where behavior is always half-private and half-performed, where the pastor’s child learns early that other people are watching.
The phrase "conservative atmosphere" does double duty. On one level it signals the expected virtues: restraint, duty, sexual propriety, temperance, a careful separation between the sacred and the profane. On another, it reads like a polite warning label. Cullen is explaining, without self-pity, the kind of environment that produces immaculate surfaces and complicated interiors. For a Harlem Renaissance poet, that matters. His era is loud with experimentation, racial assertion, and new urban freedoms; Cullen’s work often carries a more classical poise, a formal elegance that can look like deference until you hear the tension underneath.
The subtext is not simply "I come from religion", but "I come from supervision". It hints at why his poems can feel haunted by questions of faith, desire, and belonging: the parsonage offers moral certainty as a shelter, then demands you live inside its limits. Cullen’s intent is autobiographical, but also strategic: he’s locating the origin of his voice in a setting that both sanctified him and tightened the leash.
The phrase "conservative atmosphere" does double duty. On one level it signals the expected virtues: restraint, duty, sexual propriety, temperance, a careful separation between the sacred and the profane. On another, it reads like a polite warning label. Cullen is explaining, without self-pity, the kind of environment that produces immaculate surfaces and complicated interiors. For a Harlem Renaissance poet, that matters. His era is loud with experimentation, racial assertion, and new urban freedoms; Cullen’s work often carries a more classical poise, a formal elegance that can look like deference until you hear the tension underneath.
The subtext is not simply "I come from religion", but "I come from supervision". It hints at why his poems can feel haunted by questions of faith, desire, and belonging: the parsonage offers moral certainty as a shelter, then demands you live inside its limits. Cullen’s intent is autobiographical, but also strategic: he’s locating the origin of his voice in a setting that both sanctified him and tightened the leash.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
More Quotes by Countee
Add to List



