"I was spooked when I first got the role, as I was afraid I wouldn't have the companionship I need on a shoot, because I'm so into the process itself, not so much the end product"
About this Quote
An actor admitting she’s “spooked” by getting a role flips the usual victory narrative on its head. Jacqueline McKenzie isn’t selling humility; she’s revealing a work ethic that’s almost inconvenient in an industry built to fetishize results: the finished film, the review, the box office. Her fear isn’t failure on screen. It’s loneliness inside the machinery.
“Companionship” does a lot of quiet work here. On a set, it can mean practical safety (someone who has your back), creative chemistry (a director you trust, a cast you can play off), or simply the everyday human buffering against the stop-start weirdness of filming. McKenzie frames it as a need, not a nice-to-have, which signals how psychologically intimate acting can be: you’re asked to generate real emotion on command, repeatedly, often out of sequence, under fluorescent scrutiny. Wanting companionship is a way of saying the job can be isolating even when you’re surrounded by people.
The most pointed subtext sits in her preference for “the process itself” over “the end product.” That’s not anti-ambition; it’s a declaration of where her identity lives. If the process is the reward, then the premiere is almost incidental, even vaguely suspicious. It also hints at a subtle anxiety about commodification: once the product exists, it belongs to everyone else - editors, marketers, critics, audiences. Process is the one zone an actor can inhabit as their own.
Read in context, it’s a small rebellion against celebrity culture’s demand that artists constantly perform satisfaction. She’s describing craft as a relationship, not a trophy.
“Companionship” does a lot of quiet work here. On a set, it can mean practical safety (someone who has your back), creative chemistry (a director you trust, a cast you can play off), or simply the everyday human buffering against the stop-start weirdness of filming. McKenzie frames it as a need, not a nice-to-have, which signals how psychologically intimate acting can be: you’re asked to generate real emotion on command, repeatedly, often out of sequence, under fluorescent scrutiny. Wanting companionship is a way of saying the job can be isolating even when you’re surrounded by people.
The most pointed subtext sits in her preference for “the process itself” over “the end product.” That’s not anti-ambition; it’s a declaration of where her identity lives. If the process is the reward, then the premiere is almost incidental, even vaguely suspicious. It also hints at a subtle anxiety about commodification: once the product exists, it belongs to everyone else - editors, marketers, critics, audiences. Process is the one zone an actor can inhabit as their own.
Read in context, it’s a small rebellion against celebrity culture’s demand that artists constantly perform satisfaction. She’s describing craft as a relationship, not a trophy.
Quote Details
| Topic | Work |
|---|
More Quotes by Jacqueline
Add to List


