"I was stuck with looking like a girl. As soon as I got out of music it was straight off to the hairdressers"
About this Quote
Rickitt’s line lands like a backstage confession that’s also a quiet protest: his appearance wasn’t just a style choice, it was part of the job description. “Stuck” does a lot of work. It frames the “looking like a girl” look not as playful experimentation but as something imposed by an industry that packages young male pop acts with carefully calibrated softness. The phrasing isn’t transgressive; it’s weary. He’s describing an image that sold, stuck to him, and then had to be peeled off.
The pivot is the most revealing part: “As soon as I got out of music.” Not “as soon as I felt like it” or “as soon as trends changed,” but the second he exited that machine. The hairdresser becomes a symbolic exit door, a quick, physical reset from branded persona back to private self. There’s humor in the speed of it, but it’s the humor of relief.
Underneath sits a very late-90s/early-2000s cultural logic: pop music demanding hyper-managed visibility, tabloids policing masculinity, and fans consuming “access” that often reduces an artist to a haircut and a silhouette. As an actor speaking about a music-image era, Rickitt also slips in a critique of medium: music fame can freeze you into a look, while acting at least pretends to offer roles instead of one permanent costume.
It’s not a grand manifesto. It’s a snapshot of how fast identity gets commodified, and how satisfying it feels to reclaim it with something as ordinary as a haircut.
The pivot is the most revealing part: “As soon as I got out of music.” Not “as soon as I felt like it” or “as soon as trends changed,” but the second he exited that machine. The hairdresser becomes a symbolic exit door, a quick, physical reset from branded persona back to private self. There’s humor in the speed of it, but it’s the humor of relief.
Underneath sits a very late-90s/early-2000s cultural logic: pop music demanding hyper-managed visibility, tabloids policing masculinity, and fans consuming “access” that often reduces an artist to a haircut and a silhouette. As an actor speaking about a music-image era, Rickitt also slips in a critique of medium: music fame can freeze you into a look, while acting at least pretends to offer roles instead of one permanent costume.
It’s not a grand manifesto. It’s a snapshot of how fast identity gets commodified, and how satisfying it feels to reclaim it with something as ordinary as a haircut.
Quote Details
| Topic | Reinvention |
|---|---|
| Source | Help us find the source |
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