"I was too broke to buy a guitar so I more borrowed guitars from friends"
About this Quote
There is a kind of accidental manifesto in Montrose admitting he was "too broke to buy a guitar" and had to borrow one: the origin story isn’t glamour, it’s scarcity with a pulse. In rock mythology, we’re used to talent arriving like a birthright. Montrose frames it as something improvised into existence, contingent on friends, favors, and whatever instrument happened to be available that week. The clunky phrasing ("so I more borrowed") even helps: it sounds like someone talking quickly, unpolished, allergic to turning hardship into poetry.
The intent is modest but pointed. He’s not asking for pity; he’s establishing credibility. Broke isn’t a brand here, it’s a fact that forces a social reality: music as a communal economy. Borrowing guitars means your early sound is literally shaped by other people’s gear, their generosity, their trust. It hints at the pre-fame ecosystem where aspiring musicians depend on networks, not deals - a reminder that "making it" often starts as a small-town logistics problem.
Subtextually, it’s also about desire. If you’re willing to borrow repeatedly, you’re not dabbling; you’re chasing something. Montrose’s later legacy - clean, muscular playing, the sense of discipline in his work - reads differently when you picture him hustling for access. This line demystifies the artist while elevating the drive: the barrier wasn’t inspiration, it was money, and he worked around it. That workaround is the story.
The intent is modest but pointed. He’s not asking for pity; he’s establishing credibility. Broke isn’t a brand here, it’s a fact that forces a social reality: music as a communal economy. Borrowing guitars means your early sound is literally shaped by other people’s gear, their generosity, their trust. It hints at the pre-fame ecosystem where aspiring musicians depend on networks, not deals - a reminder that "making it" often starts as a small-town logistics problem.
Subtextually, it’s also about desire. If you’re willing to borrow repeatedly, you’re not dabbling; you’re chasing something. Montrose’s later legacy - clean, muscular playing, the sense of discipline in his work - reads differently when you picture him hustling for access. This line demystifies the artist while elevating the drive: the barrier wasn’t inspiration, it was money, and he worked around it. That workaround is the story.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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