"I was totally absorbed in the real world, the politics, the history, the news, and I just couldn't find my way into the fictional world... When I finally could return to writing the novel, it was in fits and starts"
About this Quote
Guterson is describing a creative blockage that isn’t romantic or mysterious; it’s civic. The “real world” here isn’t just daily life, it’s the addictive churn of politics and breaking news, a stream that demands constant moral attention and rewards vigilance with anxiety. By stacking “politics, the history, the news,” he shows how public events can feel like an obligation you can’t opt out of, especially for a novelist whose work often swims in social consequence. The subtext: fiction starts to look frivolous when reality is on fire.
What makes the quote land is the quiet admission of displacement. He doesn’t claim writer’s block in the abstract; he frames it as being “totally absorbed,” a phrase that carries both immersion and entrapment. It suggests the modern condition of being pulled into an endless present tense, where the next headline threatens to invalidate the last and leaves no stable psychic space for invention. Novels require long attention, the slow construction of a world with its own internal logic. News demands instant reaction, the opposite muscle group.
Then comes the key phrase: “return to writing” as if fiction is a home he was locked out of. “Fits and starts” captures how recovery works: not a triumphant breakthrough, but a stuttering reacquisition of concentration. In context, it reads like a small manifesto for the novelist’s role today: not to ignore reality, but to fight for the time and quiet needed to metabolize it into something deeper than commentary.
What makes the quote land is the quiet admission of displacement. He doesn’t claim writer’s block in the abstract; he frames it as being “totally absorbed,” a phrase that carries both immersion and entrapment. It suggests the modern condition of being pulled into an endless present tense, where the next headline threatens to invalidate the last and leaves no stable psychic space for invention. Novels require long attention, the slow construction of a world with its own internal logic. News demands instant reaction, the opposite muscle group.
Then comes the key phrase: “return to writing” as if fiction is a home he was locked out of. “Fits and starts” captures how recovery works: not a triumphant breakthrough, but a stuttering reacquisition of concentration. In context, it reads like a small manifesto for the novelist’s role today: not to ignore reality, but to fight for the time and quiet needed to metabolize it into something deeper than commentary.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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