"I was very, very large as a kid and never athletic, and my home life was a little upside down and I never felt comfortable"
About this Quote
Garrett’s line lands because it refuses the neat, inspirational arc we’ve been trained to expect from celebrity autobiography. “Very, very large” doubles down like a nervous laugh: not quite a joke, not quite an apology, but a way of getting ahead of the audience’s gaze. He’s naming the body as a social problem before anyone else can, using blunt repetition as a shield. Then he stacks the rest with a steady “and… and… and,” a kid’s syntax that mirrors the feeling he’s describing: one discomfort leading to another, no clean break, just accumulation.
The subtext is less “I had it hard” than “I learned early to manage other people’s reactions.” “Never athletic” isn’t about sports; it’s about belonging. In American boyhood, athleticism is often the entry ticket to safety, status, and being left alone. By marking himself as outside that, Garrett is signaling the early training of a comic performer: hyper-awareness, defensive self-deprecation, the ability to narrate your own vulnerabilities before they’re used against you.
“Home life was a little upside down” is the most telling understatement here. It suggests instability without litigating it, the classic entertainer’s move of hinting at pain while keeping it audience-safe. The final clause, “I never felt comfortable,” is almost deliberately flat, as if comfort is too big a word to claim. It frames his later persona - the big body, the dry delivery - as an adaptation: humor not as ornament, but as survival technology.
The subtext is less “I had it hard” than “I learned early to manage other people’s reactions.” “Never athletic” isn’t about sports; it’s about belonging. In American boyhood, athleticism is often the entry ticket to safety, status, and being left alone. By marking himself as outside that, Garrett is signaling the early training of a comic performer: hyper-awareness, defensive self-deprecation, the ability to narrate your own vulnerabilities before they’re used against you.
“Home life was a little upside down” is the most telling understatement here. It suggests instability without litigating it, the classic entertainer’s move of hinting at pain while keeping it audience-safe. The final clause, “I never felt comfortable,” is almost deliberately flat, as if comfort is too big a word to claim. It frames his later persona - the big body, the dry delivery - as an adaptation: humor not as ornament, but as survival technology.
Quote Details
| Topic | Family |
|---|---|
| Source | Help us find the source |
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