"I was very young. I thought I knew a lot and I really didn't. I trusted the wrong people"
About this Quote
There is a particular sting in the way Carrere stacks these sentences: confident youth, sudden self-indictment, then the quiet turn toward betrayal. “I was very young” isn’t nostalgia; it’s a defense and a disclosure at once, a way of naming the power imbalance without needing to litigate every detail. The blunt follow-up, “I thought I knew a lot and I really didn’t,” punctures the myth of the precocious, self-possessed young woman that entertainment culture loves to sell back to women as proof they were “ready.” It’s also a refusal of that industry’s favorite alibi: if you seemed savvy, you must have consented to the consequences.
Then comes the real payload: “I trusted the wrong people.” Notice who’s absent. She doesn’t say “I made the wrong choices” or “I was reckless.” She keeps the moral focus on trust, a social contract, and on “people,” plural, implying a system rather than a single villain. It’s the language of someone who has learned that harm often arrives through relationships that were supposed to be safe: managers, older colleagues, gatekeepers, even friends.
As an actress coming up in an era when access was currency and silence was strategy, Carrere’s understatement reads like practiced survival. The intent isn’t melodrama; it’s calibration. She offers enough to mark the lesson, not enough to be consumed by it. The subtext is boundary-setting: I’m older now, and I’m rewriting the story from “naive” to “misled.”
Then comes the real payload: “I trusted the wrong people.” Notice who’s absent. She doesn’t say “I made the wrong choices” or “I was reckless.” She keeps the moral focus on trust, a social contract, and on “people,” plural, implying a system rather than a single villain. It’s the language of someone who has learned that harm often arrives through relationships that were supposed to be safe: managers, older colleagues, gatekeepers, even friends.
As an actress coming up in an era when access was currency and silence was strategy, Carrere’s understatement reads like practiced survival. The intent isn’t melodrama; it’s calibration. She offers enough to mark the lesson, not enough to be consumed by it. The subtext is boundary-setting: I’m older now, and I’m rewriting the story from “naive” to “misled.”
Quote Details
| Topic | Learning from Mistakes |
|---|---|
| Source | Help us find the source |
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