"I went out there for a thousand a week, and I worked Monday, and I got fired Wednesday. The guy that hired me was out of town Tuesday"
About this Quote
A thousand a week is the kind of number that’s supposed to buy dignity. Algren turns it into a punchline about how quickly the working world can revoke your worth, no matter how fat the paycheck looks on paper. The comedy lands because it’s timed like a street-corner story: hired, one day of labor, fired, and the one human connection that might explain it all conveniently absent. Tuesday becomes the dark little hinge of the whole anecdote, the day authority goes missing and the machine still grinds on.
The subtext is classic Algren: in America, employment isn’t a moral contract, it’s a weather system. You don’t get judged by what you did; you get judged by who happened to be around, which mood the office was in, which middleman needed to prove he had power. The boss who hired him is “out of town” like a deus ex machina for bureaucratic cruelty, a reminder that decisions are often made by proxies and paper trails. You’re disposable not because you failed, but because you were never the point.
Context matters: Algren wrote from the underside of mid-century prosperity, chronicling hustlers, workers, and the marginal people who don’t get the glossy American Dream version of capitalism. The line reads like a war story from the labor front, but it’s also a writer’s credo: skepticism toward institutions, affection for the absurd details, and a belief that the system’s most honest language is irony.
The subtext is classic Algren: in America, employment isn’t a moral contract, it’s a weather system. You don’t get judged by what you did; you get judged by who happened to be around, which mood the office was in, which middleman needed to prove he had power. The boss who hired him is “out of town” like a deus ex machina for bureaucratic cruelty, a reminder that decisions are often made by proxies and paper trails. You’re disposable not because you failed, but because you were never the point.
Context matters: Algren wrote from the underside of mid-century prosperity, chronicling hustlers, workers, and the marginal people who don’t get the glossy American Dream version of capitalism. The line reads like a war story from the labor front, but it’s also a writer’s credo: skepticism toward institutions, affection for the absurd details, and a belief that the system’s most honest language is irony.
Quote Details
| Topic | Work |
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