"I went through a phase when I was 13 where I would only fall in love with people over the age of 19 or 20. I never had a real relationship with any of these people, but it was definitely the guy I wanted to hang out with and wanted to go on trips with. I would be like, 'But, Daddy, he's a musician!'"
About this Quote
A teenager’s crush becomes a miniature culture war in Olivia Wilde’s telling: desire versus permission, “musician” versus “Daddy.” The line works because it’s funny in the way adolescence is funny in retrospect: earnest, slightly feral, and convinced that a vibe counts as a credential. Wilde doesn’t dress it up as trauma or destiny. She frames it as a “phase,” a word that both minimizes and clarifies. This was experimentation, not a grand origin story.
The specific intent is to translate a familiar adolescent impulse into a sharper, socially legible point: age-gapped infatuation isn’t always about sex; it’s often about access. Thirteen-year-olds don’t just want a person, they want entry into an older world that looks self-authored. “Over the age of 19 or 20” isn’t random. It’s adulthood adjacent, the realm of shows, trips, and independence, where identity feels less like homework. Her fantasy isn’t “a relationship” so much as proximity: hanging out, traveling, being seen in the right orbit.
The subtext is a gentle satire of status. “But, Daddy, he’s a musician!” is the perfect teenage legal brief: artistry as an exemption clause. The father figure stands in for every boundary-setting institution, while “musician” stands in for glamour, bohemia, and the promise of a life that doesn’t require asking.
Contextually, Wilde is also protecting her younger self with humor. By narrating the crush as a charming misfire, she keeps the power with the storyteller, not the older targets. It’s a confession that doubles as critique: not of desire itself, but of how early we learn to mistake coolness for safety.
The specific intent is to translate a familiar adolescent impulse into a sharper, socially legible point: age-gapped infatuation isn’t always about sex; it’s often about access. Thirteen-year-olds don’t just want a person, they want entry into an older world that looks self-authored. “Over the age of 19 or 20” isn’t random. It’s adulthood adjacent, the realm of shows, trips, and independence, where identity feels less like homework. Her fantasy isn’t “a relationship” so much as proximity: hanging out, traveling, being seen in the right orbit.
The subtext is a gentle satire of status. “But, Daddy, he’s a musician!” is the perfect teenage legal brief: artistry as an exemption clause. The father figure stands in for every boundary-setting institution, while “musician” stands in for glamour, bohemia, and the promise of a life that doesn’t require asking.
Contextually, Wilde is also protecting her younger self with humor. By narrating the crush as a charming misfire, she keeps the power with the storyteller, not the older targets. It’s a confession that doubles as critique: not of desire itself, but of how early we learn to mistake coolness for safety.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
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