"I will always have a career. I believe in working. I don't believe that taking care of your house and children is enough for a woman. You don't feel complete"
About this Quote
Joan Chen’s line lands with the blunt force of someone who’s seen how quickly “having it all” turns into “being assigned it all.” The insistence on “always” is the tell: this isn’t just ambition, it’s self-defense in a culture that treats women’s professional lives as optional add-ons, easily surrendered to marriage, motherhood, or a husband’s trajectory. “I believe in working” reads like a creed because, for women, work is rarely framed as identity; it’s framed as selfishness, neglect, or a phase.
The sharpest edge is in what she refuses to romanticize. Domestic labor is real labor, but Chen isn’t praising the grind; she’s calling out the trap of shrinking a woman’s world to the private sphere and then pretending that shrinkage is fulfillment. “Enough” is the provocation. It’s a rebuke to the polite social script that flatters mothers while economically and psychologically cornering them. She’s not dismissing caregiving so much as rejecting the idea that caregiving should be the end of the story.
“You don’t feel complete” is doing cultural work, too. It acknowledges a hunger that’s often treated as shameful: the need to be seen by the wider world, to have agency that isn’t mediated through family roles. Coming from an actress - a profession built on visibility and reinvention - the statement also carries an immigrant-coded urgency: career as portability, independence, and insurance against the fragility of status. Chen’s intent isn’t to scold women who choose home; it’s to name the quiet violence of being told you shouldn’t want more.
The sharpest edge is in what she refuses to romanticize. Domestic labor is real labor, but Chen isn’t praising the grind; she’s calling out the trap of shrinking a woman’s world to the private sphere and then pretending that shrinkage is fulfillment. “Enough” is the provocation. It’s a rebuke to the polite social script that flatters mothers while economically and psychologically cornering them. She’s not dismissing caregiving so much as rejecting the idea that caregiving should be the end of the story.
“You don’t feel complete” is doing cultural work, too. It acknowledges a hunger that’s often treated as shameful: the need to be seen by the wider world, to have agency that isn’t mediated through family roles. Coming from an actress - a profession built on visibility and reinvention - the statement also carries an immigrant-coded urgency: career as portability, independence, and insurance against the fragility of status. Chen’s intent isn’t to scold women who choose home; it’s to name the quiet violence of being told you shouldn’t want more.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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