"I wish I had as much in bed as I get in the newspapers"
About this Quote
Ronstadt’s line is a neat piece of celebrity judo: she takes the press’s favorite currency - sexual rumor - and spends it back on them as a punchline. The wit lands because it’s not coy. It’s blunt, domestic, and physical: “in bed” versus “in the newspapers.” That contrast turns the tabloid imagination into something almost bureaucratic, a stack of clippings substituting for an actual sex life.
The intent isn’t confession; it’s control. By joking that her real romantic or sexual experience can’t compete with what gets printed, Ronstadt exposes how fame manufactures a second, louder version of a person. The subtext is feminist without having to wave a flag: women in pop have long been treated as public property, their desirability monitored like a stock price. Ronstadt’s voice here is a refusal to be shamed or explained. She doesn’t deny the stories or dignify them with rebuttal; she reframes them as absurd overreporting.
The line also plays on expectations about musicians, especially women in the rock era: you’re supposed to be either virtuous or scandalous, and the press will assign you a role regardless. Ronstadt implies the scandal is largely editorial - the newspapers “get” more action than she does. It’s funny because it’s plausible: attention can be relentless, intimacy can be scarce, and mythology fills the gap. Her joke is a reminder that celebrity culture isn’t just invasive; it’s creatively lazy, recycling sex as shorthand for relevance.
The intent isn’t confession; it’s control. By joking that her real romantic or sexual experience can’t compete with what gets printed, Ronstadt exposes how fame manufactures a second, louder version of a person. The subtext is feminist without having to wave a flag: women in pop have long been treated as public property, their desirability monitored like a stock price. Ronstadt’s voice here is a refusal to be shamed or explained. She doesn’t deny the stories or dignify them with rebuttal; she reframes them as absurd overreporting.
The line also plays on expectations about musicians, especially women in the rock era: you’re supposed to be either virtuous or scandalous, and the press will assign you a role regardless. Ronstadt implies the scandal is largely editorial - the newspapers “get” more action than she does. It’s funny because it’s plausible: attention can be relentless, intimacy can be scarce, and mythology fills the gap. Her joke is a reminder that celebrity culture isn’t just invasive; it’s creatively lazy, recycling sex as shorthand for relevance.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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