"I worked for a publishing company in Hollywood"
About this Quote
There is a whole era tucked inside that bland little sentence: the moment when “publishing” in Hollywood could mean art, commerce, and hustle all at once. Coming from Mac Davis, a musician who moved between songwriting, performance, and the machinery that packages both, “I worked for a publishing company in Hollywood” reads like a credential and a confession. It’s not “I wrote songs” or “I got discovered.” It’s day-job language, the kind you use when you’re trying to sound steady while living in an industry built on volatility.
The intent feels deliberately anti-mythic. Davis sidesteps the romantic narrative of sudden talent and replaces it with institutional proximity: he was near the power centers, learning the rules, watching which stories get bought and which voices get smoothed down. “Publishing company” hints at rights, catalogs, and gatekeeping - the unglamorous infrastructure behind the glamour. “Hollywood” does the opposite work: it injects instant allure and suspicion, a place synonymous with fabrication. Put together, the line quietly suggests, I’ve seen how the sausage is made.
Subtextually, it’s also a flex disguised as modesty. If you’ve worked in that world, you’ve been in rooms where decisions happen - where taste is negotiated, and where the business side of creativity teaches you what sells before it teaches you what’s true. For a musician like Davis, that background frames his later success as earned knowledge, not pure luck: he didn’t just chase the spotlight, he studied the system that controls the dimmer switch.
The intent feels deliberately anti-mythic. Davis sidesteps the romantic narrative of sudden talent and replaces it with institutional proximity: he was near the power centers, learning the rules, watching which stories get bought and which voices get smoothed down. “Publishing company” hints at rights, catalogs, and gatekeeping - the unglamorous infrastructure behind the glamour. “Hollywood” does the opposite work: it injects instant allure and suspicion, a place synonymous with fabrication. Put together, the line quietly suggests, I’ve seen how the sausage is made.
Subtextually, it’s also a flex disguised as modesty. If you’ve worked in that world, you’ve been in rooms where decisions happen - where taste is negotiated, and where the business side of creativity teaches you what sells before it teaches you what’s true. For a musician like Davis, that background frames his later success as earned knowledge, not pure luck: he didn’t just chase the spotlight, he studied the system that controls the dimmer switch.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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